There is a fundamental question that lingers in the back of everyone’s mind when they hear about a new Nicolas Cage film is coming; how... Read More
Reviews
After a year off, Cannes has returned with a lineup that’s an embarrassment of riches, seemingly designed to make even the most jaded cinephile feel... Read More
In the 30 years since JFK made global headlines for its excoriation of the military-industrial complex – and garnered eight Oscar nominations for its trouble... Read More
“The New Yorker will be the magazine not published for the old lady in Dubuque,” editor Harold W. Ross wrote in the founding prospectus for... Read More
For years, thousands of individuals in the film industry bought into the idea that female-led action movies would “never make money,” as they were supposedly... Read More
Mia Hansen-Løve’s directorial style seems to be less about style or genre and more about mood. Her 2018 travelogue romance film Maya had very little... Read More
Ted Lasso, a compassionate, mustache-wearing, charming coach, is back with the AFC Richmond team. Following the critically acclaimed success of the Apple TV series, the... Read More
When the first season of Never Have I Ever debuted on Netflix last year, people expected it to be a raunchy, hilarious teen rom-com with... Read More
A few weeks ago I was talking to my boyfriend and he was trying to remember the name of a hormone the brain releases that... Read More
The kind of movie which reminds you just how beguiling top-tier cinema can be, Joachim Trier’s The Worst Person in the World is a triumph.... Read More

‘Pig’ review: Served on an unexpected meta platter comes Nicolas Cage’s career-best performance
‘La Traviata, My Brothers & I’ review: Yohan Manca’s winsome family drama is a winning debut feature [Cannes Review]
‘JFK Revisited: Through the Looking Glass’ is a dense and detailed return to the conspiracy 30 years after Oliver Stone’s masterpiece [Cannes Review]
‘The French Dispatch’ review: Wes Anderson dials up the quirk in anthological homage to journalism [Cannes Review]
‘Gunpowder Milkshake’ review: A ferociously entertaining explosion of female fury
‘Bergman Island’ review: A Mia Hansen-Løve letter on filmmaking with stellar performances from Vicky Krieps, Tim Roth and Mia Wasikowska [Cannes Review]
‘Ted Lasso’ season 2 review: the ever-evolving hit comedy scores another goal and doesn’t miss a beat
‘Never Have I Ever’ season 2 review: Mindy Kaling’s coming-of-age dramedy is still charming and even more life-affirming
Retrospective: 20 Years on, ‘Legally Blonde’ is a pink, empowered reminder to be yourself
‘The Worst Person in the World’ review: Joachim Trier’s flirtatious love story might be the best film at Cannes [Cannes Review]
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW