When the last three movies in a franchise each earned over $1 billion at the box office, it’s no shock to see a regularly scheduled... Read More
Reviews
A lot has changed about cinema over the course of the first 25 years of the new millennium. From massive global events shaping the industry,... Read More
Pride month is a time of celebration and reflection, an opportunity to spread love while honoring a long history of activism promoting equality for all... Read More
Writer/director/star Eva Victor (Billions) made one of the most confident debuts at Sundance earlier this year in a festival full of incredible entries and if... Read More
Happy Pride Month from Universal Pictures! Upon the release of her first film, M3GAN – the killer robot who made a splash in the 2023... Read More
It’s safe to say that animated cinema has been very slow when it comes to LGBTQ+ representation. Thankfully, progress that’s been made in the past... Read More
There was a solid 30- to 45-minute period during the first half of 28 Years Later when I was convinced I was watching one of... Read More
It’s easy to be cynical about Pixar. After establishing themselves as an animation powerhouse right out the gate with Toy Story, followed by their incredible... Read More
Of all the types of directorial projects to get pigeonholed into based on the achievement of previous work, action movies centered around the highly technical,... Read More
Robert Altman’s Nashville has often been described as the best American film ever made. I have never interpreted that superlative literally—as in, it is the... Read More

‘Jurassic World: Rebirth’ Review: Gareth Edwards Takes the Dino Franchise Back to B-Movie Basics, For Better or Worse [C]
The 25 Best Films of the Century So Far (2000-2024)
‘Queens of the Dead’ and ‘Twinless’: Two Exceptional LGBTQ+ Features to Celebrate Pride Month Year-Round
‘Sorry, Baby’ Review: Eva Victor’s Disarming Directorial Debut is One of the Best Films of the Year [A-]
‘M3GAN 2.0’ Review: This Woman’s Work is Never Done [C+]
Make it a Double Feature: ‘The Mitchells vs. The Machines’ and ‘Nimona’
‘28 Years Later’ Review: Danny Boyle’s iPhone-Shot Zombie Sequel is Audacious, Disjointed, and Bewildering [B]
‘Elio’ Review: Pixar Shoots for the Stars for a Cinematic and Heartfelt Journey [A-]
‘F1 The Movie’ Review: Joseph Kosinski’s Racing Drama Hits the Apex of Expertly Designed Summer Crowd-Pleasers [A-]
‘Nashville’ at 50: Robert Altman’s Masterpiece Remains as Timeless, and Prescient, as Ever
‘Mint’ Review: Ambition Outpaces Impact in ‘Snapper’ Director Charlotte Regan’s Stylish BBC Crime Drama Series [C+] Berlinale
‘17’ Review: Kosara Mitić’s Devastating Debut Exposes the Cost of Silence and Complicity [B] Berlinale
Vancouver Film Critics Circle (VFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Take Top Awards
Sundance Film Festival Announces 2027 Dates, Boulder Venues