Near-death experiences famously create dissonance for those involved, a new outlook on life stemming from almost losing it. Natasha Rothwell (Insecure, The White Lotus) has... Read More
Reviews
Women know body horror all too well. Before we can even really grasp what they mean, the standards embedded in us tell us our bodies... Read More
Writer/director Angelina Jolie has shown a penchant for challenging films depicting war when she is behind the camera—think First They Killed My Father or Unbroken.... Read More
When it comes to sci-fi films about an attempt for romantic connection, movies about machines and AI tend to be prevalent within that canon, from... Read More
Long before M. Night Shyamalan’s characters saw dead people, author Juan Rulfo wrote about a whole bunch of them roaming the streets of an abandoned... Read More
While revisionist westerns aren’t exactly popular, they do important work in dispelling the myth of the Great American West. On Swift Horses, Daniel Minahan’s adaptation... Read More
Never underestimate the power of children’s books. It’s easy to dismiss them as something designed for a child at a stage where they’re learning how... Read More
Wang Bing’s mammoth Youth documentary trilogy chronicles the lives of migrant workers in Zhili, China, garment sweatshops from 2014 to 2019. The films provide a... Read More
In 2000, less than one-tenth of Chinese men and women (mostly men) cheated on their spouse. Some experts have blamed the ballooning economy for the... Read More
In Mahdi Fleifel’s much-anticipated feature debut, following a number of widely acclaimed shorts, the refugee experience is depicted in ways very few films have succeeded... Read More

‘How to Die Alone’ TV Review: Natasha Rothwell Steals the Show (and a Credit Card) as a Natural Born Lead
‘The Substance’ Review: Coralie Fargeat Feeds Us Moore Gore in Blood-Soaked Rumination on Female Body Image | TIFF
‘Without Blood’ Review: Angelina Jolie Directs Salma Hayek and Demián Bichir With Lots of Looks But Little Content | TIFF
‘Daniela Forever’ Review: Henry Golding Elevates an Imaginative Sci-Fi Pic That Falls Short of its Full Potential | TIFF
‘Pedro Páramo’ Review: Cinematographer Rodrigo Prieto’s Adaptation of the Classic Mexican Magical Realism Novel is Otherworldly | TIFF
‘On Swift Horses’ Review: Daniel Minahan’s Unsexy Adaptation Rides On Svelte Torsos and Not Much Else | TIFF
‘The Wild Robot’ Review: An Animated Triumph Destined to Become a Classic with an All-Time Voice Performance from Lupita Nyong’o | TIFF
‘Youth (Homecoming)’ Review: Wang Bing’s 10-Hour Doc Trilogy Disappoints in its Closing Workshop Saga | Venice
‘Mistress Dispeller’ Review: Provocative Doc Follows a Woman Investigating Her Husband’s Infidelity | TIFF
‘To a Land Unknown’ Review: Mahdi Fleifel’s Unforgettable Feature Debut is a Rousing Reflection on Displacement | TIFF
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Predictions: More ‘One Battle’ vs ‘Sinners’ Provide the Final Showdowns Before Oscar
‘Mint’ Review: Ambition Outpaces Impact in ‘Snapper’ Director Charlotte Regan’s Stylish BBC Crime Drama Series [C+] Berlinale
‘17’ Review: Kosara Mitić’s Devastating Debut Exposes the Cost of Silence and Complicity [B] Berlinale
Vancouver Film Critics Circle (VFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Take Top Awards