How do you tell a story about the return of something precious? About a homecoming? In Dahomey, which won the Golden Bear at the Berlin... Read More
Reviews
In case you don’t remember the story of William Tell from your school days, Nick Hamm’s new film about the Swiss folk hero opens with... Read More
After the critical and commercial success of Detention, it was only a matter of time before Taiwanese filmmaker John Hsu would visit ghosts again. But... Read More
I have to imagine that one of the most difficult parts of making a documentary is that when real life writes the plot, you really... Read More
Horizon: An American Saga – Chapter 1 made only $36 million at the box office, prompting Warner Bros. to yank Chapter 2 from its original... Read More
Life affirming dramas or tear-jerking romcoms should do at least one of those things—affirm life, or make you cry a little while amused by the... Read More
ANORA (dir. Sean Baker, NEON) Mikey Madison is truly an iconic star. As the spunky Ani, an exotic dancer from Brooklyn, Madison owns the screen... Read More
Love, the second film in Norwegian writer-director Dag Johan Haugerud’s trilogy exploring human connections (Sex premiered this year at the Berlinale and Dreams is still... Read More
Haunted houses are scary, but the hidden personal demons that are common in our modern society are at least just as disturbing. In Steven Soderbergh’s... Read More
In his third feature, Swedish filmmaker Magnus von Horn delivers a striking look at one of Denmark’s most haunting crimes. What could have been a... Read More

‘Dahomey’ Review: Mati Diop Creates a Mesmerizing Artifact of Time Itself | TIFF
‘William Tell’ Review: A Rousing, Old School Hollywood Epic of a Well-Told Story | TIFF
‘Dead Talents Society’ (鬼才之道) Review: John Hsu Crafts a Hilarious and Deeply Referential Ghost Story with a Big Heart | TIFF
‘No Other Land’ Review: Basel Adra’s Palestinian Doc is a Story of Survival and Resilience and Demands Your Attention | TIFF
‘Horizon: An American Saga – Chapter 2’ Review: I Think We’ve Seen This Film Before and We Still Don’t Have an Ending | Venice
‘We Live in Time’ Review: Florence Pugh, Andrew Garfield Romantic Drama is Less a Tear-Jerker and More Like a Forced Extraction | TIFF
2024 Telluride Film Festival Capsule Reviews: ‘Anora,’ ‘September 5,’ ‘The Piano Lesson’
‘Love (Kjærlighet)’ Review: First There Was ‘Sex,’ Now Dag Johan Haugerud’s Middle Trilogy Film Looks for What ‘Dreams’ May Come | Venice
‘Presence’ Review: Steven Soderbergh’s Haunted House Drama is Quietly Terrifying | TIFF
‘The Girl with the Needle’ Review: Magnus von Horn Serves a Gripping and Bleak Tale of Unspeakable Violence | TIFF
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW