With the streaming bubble on the verge of collapse and cable in continual freefall, we’re seeing more and more filmmakers making movies about the television... Read More
Reviews
In this Telluride Film Festival capsule review edition we’ve got Joshua Oppenheimer’s golden age musical The End, Jacques Audiard’s Cannes-winning musical Emilia Peréz and Jason... Read More
All over the world, with the rise of the alt-right, attempts are being made at a daily pace restrict the access to abortion. The landmark... Read More
Two names come to mind on mention of filmmakers who found their feet in the Greek New Wave Cinema movement; Yorgos Lanthimos and Athina Rachel... Read More
Stranger Eyes by Yeo Siew Hua has already made history as Venice’s first ever Golden Lion contender hailing from Singapore, but it is its stylish... Read More
In part one of three sets of capsule reviews from the 2024 Telluride Film Festival, I take a look at Conclave, Nickel Boys and Maria.... Read More
At the 51st Telluride Film Festival, Saoirse Ronan became one of the youngest actors to be recognized with the prestigious Silver Medallion, honoring her versatile... Read More
Pierre (Vincent Lindon) is a fifty-something single father who works night shifts for the SNCF (the French railway) as a mechanic/engineer and spends his free... Read More
Luca Guadagnino’s Queer, adapted from William S. Burroughs’ novel, opens with a nostalgic nod to Call Me By Your Name, using a splashy blue font... Read More
Five years after Joker (2019) premiered at the Venice Film Festival, where it was awarded the top prize, director Todd Phillips and star Joaquin Phoenix... Read More

‘The Luckiest Man in America’ Review: A Game Show Scandal Fuels a Compelling Character Study with an Uncanny Performance by Paul Walter Hauser | TIFF
2024 Telluride Film Festival Capsule Reviews: ‘The End,’ ‘Emilia Peréz,’ ‘Saturday Night’
‘April’ Review: A Timely and Terrifying Abortion Story in Eastern Europe | Venice
‘Harvest’ Review: Transplanting English to Scottish Locales Does No Favors for Athina Rachel Tsangari’s Adapted Historical Tale | Venice
‘Stranger Eyes’ Review: The First Singapore Venice Competition Title is a Well-Crafted Thriller | Venice
2024 Telluride Film Festival Capsule Reviews: ‘Conclave,’ Nickel Boys,’ ‘Maria’
‘The Outrun’ Review: Saoirse Ronan is Towering in Sensitive Yet Uneven Recovery Drama | Telluride
‘The Quiet Son (Jouer avec le feu)’ Review: We’ve Seen This Vincent Lindon-led French Family Drama Before | Venice
‘Queer’ Review: Daniel Craig is Perfect and Drew Starkey is Revelatory in Luca Guadagnino’s Gay Chiaroscuro of Dreams and Desperation | Venice
‘Joker: Folie à Deux’ Review: Joaquin Phoenix and Lady Gaga Sing and Dance a Deranged Duet of Musical Mischief | Venice
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW