‘May December’ review: Natalie Portman and Julianne Moore make a meal out of Todd Haynes’ delicious story of infamy and obsession | Cannes
In 2015, Todd Haynes came to Cannes to premiere Carol that received rave reviews and an instant cult classic treatment. He came back to the... Read More
Reviews
‘Killers of the Flower Moon’ review: Martin Scorsese’s true American crime story of greed, murder and love may be his most empathetic | Cannes
The biggest event of Cannes this year is the return of Martin Scorsese, 38 years after After Hours. The expectations for Killers of the Flower... Read More
‘The Sweet East’ review: Talia Ryder is exceptional in this satirically nihilistic look at American anarchy | Cannes
The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More
‘The Zone of Interest’ review: Jonathan Glazer’s Auschwitz-set drama is monumental in its representation of the seen and unseen horror of the Holocaust | Cannes
Exactly ten years after the singular sci-fi achievement that was Under the Skin, writer-director Jonathan Glazer is back in Cannes’ Main Competition with a new,... Read More
‘The New Boy’ review: Cate Blanchett and Aswan Reid stun in Warwick Thornton’s spiritually dense Aboriginal fable | Cannes
Australian director Warwick Thornton lets you know from the beginning that the Aboriginal boy (a mesmerizing Aswan Reid), who arrives at a remote monastery, is... Read More
‘Indiana Jones and the Dial of Destiny’ review: Harrison Ford says farewell in this nostalgic, thrilling final chapter | Cannes
Taking the reins from Steven Spielberg is no easy feat, but James Mangold proves that he’s up for the task with this adventurous fifth and... Read More
‘Occupied City’ review: Steve McQueen’s documentary feature debut is an ambitious, if overlong, account of occupied Amsterdam | Cannes
Steve McQueen is back with his first film since Small Axe, part of his extremely ambitious 5-film anthology series. His documentary feature debut Occupied City,... Read More
‘Monster’ review: Hirokazu Kore-eda’s return to Japan is a nuanced morality tale | Cannes
Monster marks the seventh in-competition film at Cannes for Hirokazu Kore-eda, who directed last year’s tender Korean film Broker. Back in his native Japan, Kore-eda... Read More
‘Fast X’ review: The ‘Fast & Furious’ franchise may be running on fumes, but Jason Momoa makes it a fun ride
At one point during Fast X, a mysterious government agent played by Alan Ritchson tells street racer-turned-crime fighter Dominic Toretto (Vin Diesel), “The days when... Read More
‘Book Club: The Next Chapter’ review – The fantastic foursome escapes to Italy in this messy romantic comedy
At the height of the pandemic, virtual gatherings and, yes, book clubs became places where people found solace amidst the chaos and isolation. Book Club:... Read More
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November) 
Interview: John Lithgow on ‘Conclave’ Being a Career Highlight, Oscar Buzz and Comparing Director Edward Berger to David Lean [VIDEO]