‘Conclave’ Review: The Audacity of Pope | Telluride
“I took my team through the mud,” said Edward Berger to a packed audience before the world premiere of his latest film, Conclave, on the... Read More
Reviews
‘The Order’ Review: Jude Law and Nicholas Hoult Face Off in Justin Kurzel’s Hard Boiled Character Study | Venice
Justin Kurzel is no stranger to the world of crime after making Snowtown, The True History of the Kelly Gang and Nitram. The Australian director... Read More
‘Campo di Battaglia (Battlefield)’ Review: A Great Alessandro Borghi Can’t Find the Cure for a Dull, Underwritten War Drama | Venice
The great historian Eric Hobsbawm called the 20th century “the short twentieth century”, as he believed that this particular century concentrated its main chain of... Read More
‘Cloud’ Review: Japan’s Oscar Entry Finds Kiyoshi Kurosawa Matching Madness and Madcap in Online Reselling Satirical Thriller | Venice
Japan’s official Oscar entry and Venice Film Festival selection, Cloud finds J-horror master Kiyoshi Kurosawa comfortably in his wheelhouse. It’s an atmospheric thriller imbued with... Read More
‘Don’t Let’s Go to the Dogs Tonight’ Review: A Ghostly, Ghastly Tale of Growing Up During an African Civil War | Telluride
Alexandra Fuller’s award-winning memoir Don’t Let’s Go to the Dogs Tonight gets cinematic treatment, courtesy of first-time writer/director Embeth Davidtz, who also stars in the... Read More
‘The Friend’ Review: Naomi Watts and a Very Good Boy Named Bing Make for a Deeply Dignified Dog Story | Telluride
You don’t ever own your dog, not really. When you bring one into your life, you simply become their human, their companion, and protector, the... Read More
‘Kill the Jockey’ Review: Nahuel Pérez Biscayart and Daniel Gimenez Cacho Stun in Gender Fluid Mob Dramedy | Venice
The search for identity has always been a staple subject for cinema. Who are we? What is our place in the world? How are we... Read More
‘Babygirl’ Review: Nicole Kidman is Feral and Fearless as a Woman Taking Charge of Her Sexual Freedom | Venice
This is a film about sex! From the first moments, as the logos of production companies flash on the screen, we’re immersed in a world... Read More
‘Maria’ Review: Angelina Jolie is a Woman Under the Influence in Pablo Larraín’s Minor Lietmotif | Venice
Even though he has been working in the biopic genre for a while now (NO, Neruda, Jackie, Spencer), Chilean director Pablo Larraín was under the... Read More
‘September 5’ Review: Tim Fehlbaum’s Take on the 1972 Munich Olympics Massacre Fails in its Presentation of Palestinian People | Venice
In 1972, Munich hosted the Summer Olympic Games. At the time, Germany was separated into two factions; East Germany, under the influence of a communist... Read More
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event 
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’ 
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility 
‘Never After Dark’ Review: Dave Boyle’s Ghostly Spooker Will Keep You Guessing [B] SXSW