Admit it. Who of us haven’t stared in the mirror or at old photos of our younger selves and longed to go back to the... Read More
Reviews
Kevin Costner’s first major artistic undertaking since his career boom courtesy of the blockbuster TV series Yellowstone, Horizon: An American Saga, the opening chapter of... Read More
It is hard to put Jacques Audiard in one mold. The French director keeps tackling different genres without ever giving you a hint of what... Read More
Noémie Merlant first gained universal recognition in Celine Sciamma’s Portrait of a Lady on Fire at the 2019 Cannes Film Festival. Since then Merlant has... Read More
A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s Cannes Competition and after The Card Counter’s elegant harshness and... Read More
Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim Trier’s The Worst Person in the World in 2021, the... Read More
Remember the myriad of ways Queen Anne demanded affection from her court in Yorgos Lanthimos’ The Favourite? At one point, Lady Sarah exclaims that “love... Read More
Romanian cinema has carved a significant niche in international film topography through its strong ties with the Festival de Cannes. Renowned filmmakers such as Cristian... Read More
The idea of a prequel is one that has always baffled me. Why does this need to exist? Why do creatives want to go backwards... Read More
To say that films are the stuff that dreams are made of, could be true for many a title. But sometimes, resorting to a cliché... Read More

‘The Substance’ Review: Demi Moore Delivers an Utterly Fearless Performance in Coralie Fargeat’s Gnarly Examination of How We See Ourselves | Cannes
‘Horizon: An American Saga – Chapter 1’ Review: Kevin Costner’s Meandering Western Epic is a Cowboy in Search of a Herd | Cannes
‘Emilia Pérez’ Review: Zoe Saldaña, Selena Gomez and Karla Sofía Gascón are Sensational in Delightfully Unhinged Jacques Audiard Musical | Cannes
‘The Balconettes’ Review: Noémie Merlant Lets Loose in Topical, Genre-bending Romp | Cannes
‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes
‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes
‘Kinds of Kindness’ Review: Domination and Submission Grab Hold in Fresh Triptych for the Lanthimos-pilled | Cannes
‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu Examines Homophobia in a Small Romanian Town | Cannes
‘Furiosa: A Mad Max Saga’ Review: George Miller’s Action-Packed Revenge Tale is a Bad to the Bone Masterpiece
‘Megalopolis’ Review: Coppola’s Roman Empire Hits Audacious Heights of Brilliance and Excess | Cannes
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10