Thirty six years have passed since audiences were introduced to the weird and wonderful mind of filmmaker Tim Burton. His sophomore feature Beetlejuice – a... Read More
Reviews
For most of us, our tedious and boring lives are rarely interrupted with the amount of drama needed for a narrative film. But they could... Read More
Steve Martin, Martin Short and Selena Gomez are in trouble. That is, their New York sleuthy counterparts Charles, Oliver and Mabel are. After the big... Read More
As we make our way through August, we still feel the muggy summer heat. For this month’s column, I’ve gone with two films for those... Read More
FX enters the arena of educator comedies with English Teacher, a Brian Jordan Alvarez original that follows Evan Marquez as he teaches English and literature... Read More
Major controversies surrounded the 2008 Beijing Olympic Games while they occurred, but it was only after they came to a close that the organisers were... Read More
To call Blink Twice an updated, feminist version of Get Out carries a lot of implications all at once—it’s a bit obvious, somewhat reductive, and... Read More
Forty-five years ago, Ridley Scott’s Alien completely changed the game for science fiction filmmaking. It combined aspects of the B-movies of the 1960s with the... Read More
Was Madame Web just the warm-up for a bigger blockbuster disaster on the horizon? Lionsgate’s adaptation of the video game franchise Borderlands – credited to... Read More
It was only a matter of time before author du jour Colleen Hoover received the film adaptation treatment of one of her novels. Hoover made... Read More

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‘English Teacher’ Review: The Schoolhouse Rocks in Brian Jordan Alvarez’s Hilarious Scholastic Comedy
‘Black Dog’ Review: Poetic Rehabilitation Drama Has Compassion For Man and Man’s Best Friend Led By an Extraordinary Eddie Peng
‘Blink Twice’ Review: Zoë Kravitz’s Feminist ‘Get Out’ is Righteously Angry and Frustratingly Derivative
‘Alien: Romulus’ Review: Fede Álvarez’s ‘Alien’ Sequel is a Sometimes Thrilling, Yet Synthetic Greatest Hits Album
‘Borderlands’ Review: Lock This Disaster in a Vault and Throw Away the Key
‘It Ends With Us’ Review: Maybe We Should Have Kept Colleen Hoover on BookTok
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
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