France and Canada will battle it out at the 67th Cannes Film Festival this May with both countries getting heavy representation in the Competition slate... Read More
Other
Hervé Chigioni and his graphic designer Gilles Frappier have based the poster design for the 67th Festival de Cannes on a photogram taken from Federico... Read More
Gone Girl, the upcoming Oscar hopeful by David Fincher (The Social Network) that was featured here recently in our Contender or Pretender series, stars two-time... Read More
HBO and Showtime have revealed their category placements for this year’s Primetime Emmy Awards and there are some head-scratchers. HBO has never been that much... Read More
Welcome back to Contender or Pretender 2014, an Awardswatch series where, in each entry, we profile a different 2014 film and try to determine whether... Read More
Boyhood, a revolutionary new film from Richard Linklater (Dazed & Confused, the Before series) that was shot over a period of 12 years and details... Read More
Two epic films were released in 1982 that focused on key moments in Asia in the twentieth century. Gandhi, a film about the famous Indian... Read More
Welcome back to Contender or Pretender 2014, an Awardswatch series where, in each entry, we profile a different 2014 film and try to determine whether or... Read More
If there’s anything Awardswatch loves as much as awards and actressing (or omg, awards for actressing!) it’s lists. What we have for you today is... Read More
In this podcast, recorded March 29, 2014, Awardswatch Emmy Experts Erik, Chris and Jonathan discuss their early predictions for the 2013/2014 Emmy season. How will... Read More

‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes
‘Sheep in a Box’ Review: Koreeda’s Take on the AI-ification of Humanity Feels a Bit Soulless [C] Cannes
Fatherland Review: Sandra Hüller and Hanns Zischler are Sensational in Paweł Pawlikowski’s Transcendent Chamber Piece [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
67th Cannes Film Festival Lineup Revealed
Marcello Mastroianni Adorns 67th Cannes Film Festival Poster
Gone Girl Gets Its First Trailer and Poster
HBO and Showtime Reveal 2013/2014 Emmy Category Placements
Contender or Pretender Series: Trash
Richard Linklater’s ‘Boyhood’ Get a Gorgeous Poster
Retrospective: Worst Picture/Best Picture Series – Inchon and Gandhi (1982)
Contender or Pretender Series: Gone Girl
Awardswatch’s Best Picture Nominee Rankings – 2000s Edition
Emmy Podcast #4: March 2014 Predictions
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes