Here is a wonderful piece on Wes Anderson’s The Grand Budapest Hotel from one of Awardswatch’s most esteemed members, Alex Bean. It’s featured on his... Read More
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The first batch of predictions from the newly inducted Gold Rush Gang are ready for perusing! 2014 looks to be a fantastic and fascinating year... Read More
Get On Up, director Tate Taylor’s follow-up to his Oscar-winning The Help, finds Chadwick Boseman (42) as the Godfather of Soul, a chronicle of James Brown’s... Read More
Welcome to Contender or Pretender 2014, a new Awardswatch series where, in each entry, we profile a different 2014 film and try to determine whether... Read More
In what looks to be a banner year for Angelina Jolie, Disney has released a new Maleficent poster to whet your appetite. They’ve also kicked... Read More
Yeah, it’s March but AwardsWatch has another 2013 list! It’s our Favorite Performances of 2013 and it was a hard fought, nail-biter with Oscar nominees,... Read More
With the body of the 86th Academy Awards just lowered into the ground and topped off with fresh dirt, there’s no time like the present... Read More
After one of the most unpredictable races in recent history, in the end the film that everybody expected to win at the start of the... Read More
The Film Independent Spirit Awards, famous for giving out their trophies the day before the Oscars, looked an awful lot like an Oscar preview today.... Read More
The time has come, for you to lip sy…wait, wrong show. This is it, the final stretch before the Oscars on Sunday and with it... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
In Search of Lost Time: Looking at the Small Stuff in The Grand Budapest Hotel
Gold Rush Gang Predictions: March 2014
‘Get On Up’ Gets Down in First Trailer
Contender or Pretender Series: Unbroken
Disney Unveils New Maleficent Poster
AwardsWatch’s 50 Favorite Performances of 2013
Looking Ahead to the Next Oscar Race
12 Years A Slave prevails, American Hustle shut out at 86th Academy Awards
12 Years a Slave, McConaughey, Blanchett Win Spirit Awards
Gold Rush Gang: FINAL Oscar Predictions
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes