Alfonso Cuarón’s groundbreaking work on Gravity has won him the Directors Guild of America’s top prize tonight, the best precursor for the road to the... Read More
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The Directors Guild of America hands out its highest honor tonight and by all accounts this should be Gravity‘s Alfonso Cuarón’s to lose. He’s run... Read More
The 56th Annual Grammy Awards are being held this Sunday, Jan 26th, 2014 and before that here we are, doing what we do best:... Read More
HOLLYWOOD, CA / Tuesday, January 21, 2014 — In an awards season marked by a neck-and-neck run for best film honors, the Gay and Lesbian... Read More
Finishing up our look at the Emmy lineup for this season, we look at the Comedy side of things, which for the most part is... Read More
A tie. A statistical tie. Both Gravity and 12 Years a Slave were announced the winners last night, to the shock of everyone. A first... Read More
What George Portades is listening to this week… Joy Enriquez, “No One” It was wonderful to see Enriquez back in the limelight last year with... Read More
With the Screen Actors Guild kicking off the industry awards last night (aka, the real road to the Oscars), the Producers Guild have their say... Read More
The actors have spoken and American Hustle was chosen for Outstanding Cast in a Motion Picture, besting 12 Years a Slave. It was the film’s... Read More
In the wake of the Oscar nomination, the Broadcast Film Critics Association held their annual Critics’ Choice Movie Awards last night. One can question their... Read More

‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes
‘Sheep in a Box’ Review: Koreeda’s Take on the AI-ification of Humanity Feels a Bit Soulless [C] Cannes
Fatherland Review: Sandra Hüller and Hanns Zischler are Sensational in Paweł Pawlikowski’s Transcendent Chamber Piece [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
DGA Winners: Gravity Soars, Breaking Bad and 30 Rock Finales Score
DGA Preview: Does Gravity Have Weight?
The Grammy Gods’ 56th Grammy Awards Predictions
Gay and Lesbian Entertainment Critics Assocation DORIAN Award Winners
Mid-Season Emmy Predictions 2014 – Part II: Comedy
Producers Guild Winner(s): Things Just Got a Whole Lot Harder
AwardsWatch Weekly Music Roundup: Week of January 20, 2014
PGA Preview: A Tale of Three Films
Screen Actors Guild Awards: Hustle Wins Ensemble but Dallas Buyers Club Picks Up Two
Critics’ Choice Awards, or how 12YAS did well in the wrong place
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes