HOLLYWOOD, CA / Tuesday, January 21, 2014 — In an awards season marked by a neck-and-neck run for best film honors, the Gay and Lesbian... Read More
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Finishing up our look at the Emmy lineup for this season, we look at the Comedy side of things, which for the most part is... Read More
A tie. A statistical tie. Both Gravity and 12 Years a Slave were announced the winners last night, to the shock of everyone. A first... Read More
What George Portades is listening to this week… Joy Enriquez, “No One” It was wonderful to see Enriquez back in the limelight last year with... Read More
With the Screen Actors Guild kicking off the industry awards last night (aka, the real road to the Oscars), the Producers Guild have their say... Read More
The actors have spoken and American Hustle was chosen for Outstanding Cast in a Motion Picture, besting 12 Years a Slave. It was the film’s... Read More
In the wake of the Oscar nomination, the Broadcast Film Critics Association held their annual Critics’ Choice Movie Awards last night. One can question their... Read More
Double Oscar nominee Megan Ellison. Following up her Oscar nomination last year for producing Zero Dark Thirty, that’s how she can be referred to as... Read More
Jennifer Lawrence made Oscar history today by becoming the youngest person to garner three Academy Award nominations (she’s just 23) and the youngest to get... Read More
The nominations for the 86th Academy Awards were announced this morning to a chorus of shocks and awes with American Hustle and Gravity leading the... Read More

‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
‘All of a Sudden’ Review: Virginie Efira and Tao Okamoto are Luminous in Ryusuke Hamaguchi’s Life-Affirming Wonder [A] Cannes
Cannes 2026: ‘La Gradiva’ Wins Top Critics Week Prize
Interview: Jen Malone on Crafting the Heartbreaking Soundtrack of ‘Love Story,’ and the Power of Music
‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
‘Fjord’ Review: Cristian Mungiu Takes On Religious and Progressive Extremism in Exceptional Family Drama [A] Cannes
‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Gay and Lesbian Entertainment Critics Assocation DORIAN Award Winners
Mid-Season Emmy Predictions 2014 – Part II: Comedy
Producers Guild Winner(s): Things Just Got a Whole Lot Harder
AwardsWatch Weekly Music Roundup: Week of January 20, 2014
PGA Preview: A Tale of Three Films
Screen Actors Guild Awards: Hustle Wins Ensemble but Dallas Buyers Club Picks Up Two
Critics’ Choice Awards, or how 12YAS did well in the wrong place
Megan Ellison: From Heiress to Oscar Winner (Well, in March)
Jennifer Lawrence: This Girl is On Fire
86th Academy Award Nominations: Dallas Overperforms, 12 Years Underperforms and N’Oprah Strikes Again
‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
‘All of a Sudden’ Review: Virginie Efira and Tao Okamoto are Luminous in Ryusuke Hamaguchi’s Life-Affirming Wonder [A] Cannes
Cannes 2026: ‘La Gradiva’ Wins Top Critics Week Prize
Interview: Jen Malone on Crafting the Heartbreaking Soundtrack of ‘Love Story,’ and the Power of Music