The Director’s Guild of America has chosen the top five directors of documentary feature films for 2013 and they feature first-timers and old hats. The... Read More
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Last week we posted the best music of 2013 according to our staff and contributors. As promised, this week we are publishing the results of... Read More
12 Years a Slave ended the night of the Golden Globes as a surprise winner; a surprise because it had gone empty-handed all night despite... Read More
And now for something completely different? That old Monty Python classic was on our mind as we perused the nominations revealed today by the International... Read More
Now that’s a mouthful, isn’t it? Here are the final winner predictions of the Gold Rush Gang, or most of them, at least. Lots of... Read More
Every year AwardsWatch compiles the lists and combinations of the major precursors bagged by potential Oscar nominees and this year is no different. A total... Read More
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On this podcast, recorded Friday, January 10, 2014, Erik, Ben and Long discuss the DGA and BAFTA nominations and their predictions for the Golden... Read More
Also known as 'the stragglers'. Or 'the organizations that can't be bothered to design a logo' (we're looking at you, Iowa and Oklahoma!). But still,... Read More
12 Years a Slave, American Hustle and Captain Phillips continued their domination of the guild awards nominations with nods from the American Cinema Editors guild... Read More

‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes
‘Sheep in a Box’ Review: Koreeda’s Take on the AI-ification of Humanity Feels a Bit Soulless [C] Cannes
Fatherland Review: Sandra Hüller and Hanns Zischler are Sensational in Paweł Pawlikowski’s Transcendent Chamber Piece [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
DGA Picks Its Top Five Doc Directors
AwardsWatch’s Best Music of 2013 – Forums’ Poll Results
Golden Globes: 12 Years Prevails, Barely and American Hustle Thrives
ICS nominations: Who the hell is Anton Adasinsky?
Gold Rush Gang Golden Globe Winner Predictions
BFCA + GG + SAG + BAFTA: The Holy Quartet
2015 Oscars: Best Visual Effects Nomination Predictions
Oscar Podcast #8: January 11, 2014
Critics societies roundup 7
ACE Eddie Nominations:
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes