When it comes to sci-fi films about an attempt for romantic connection, movies about machines and AI tend to be prevalent within that canon, from... Read More
Other
Shōgun has broken the all-time Emmy record for the most wins for any series in a single year with 14, and we’re only in the... Read More
Long before M. Night Shyamalan’s characters saw dead people, author Juan Rulfo wrote about a whole bunch of them roaming the streets of an abandoned... Read More
While revisionist westerns aren’t exactly popular, they do important work in dispelling the myth of the Great American West. On Swift Horses, Daniel Minahan’s adaptation... Read More
Never underestimate the power of children’s books. It’s easy to dismiss them as something designed for a child at a stage where they’re learning how... Read More
Wang Bing’s mammoth Youth documentary trilogy chronicles the lives of migrant workers in Zhili, China, garment sweatshops from 2014 to 2019. The films provide a... Read More
In 2000, less than one-tenth of Chinese men and women (mostly men) cheated on their spouse. Some experts have blamed the ballooning economy for the... Read More
In Mahdi Fleifel’s much-anticipated feature debut, following a number of widely acclaimed shorts, the refugee experience is depicted in ways very few films have succeeded... Read More
There is a scene towards the latter half of Gia Coppola’s The Last Showgirl that encapsulates the lonely, tender heart of the film. Shelley (Pamela... Read More
It’s quite a risk to take an epic poem and only adapt the non-mythical parts into a film. After all, this isn’t the nth take... Read More

‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead
North Texas Film Critics Association (NTFCA) Nominations
Interview: ‘Marty Supreme’ Casting Director Jennifer Venditti on Finding 1950s Faces and the Magic of Collaborating with Josh Safdie
Kansas City Film Critics Circle (KCFCC) Awards: ‘One Battle After Another’ Named Best Film
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
The Oscars Move to YouTube Beginning in 2029
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN (December)
2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (December)
2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM (December)
2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND (December)
2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
2026 Oscar Predictions: SUPPORTING ACTOR (December)
‘Daniela Forever’ Review: Henry Golding Elevates an Imaginative Sci-Fi Pic That Falls Short of its Full Potential | TIFF
2024 Creative Arts Emmys (Night Two): ‘Shōgun’ Breaks All Time Record, Pasek and Paul Join EGOT Family
‘Pedro Páramo’ Review: Cinematographer Rodrigo Prieto’s Adaptation of the Classic Mexican Magical Realism Novel is Otherworldly | TIFF
‘On Swift Horses’ Review: Daniel Minahan’s Unsexy Adaptation Rides On Svelte Torsos and Not Much Else | TIFF
‘The Wild Robot’ Review: An Animated Triumph Destined to Become a Classic with an All-Time Voice Performance from Lupita Nyong’o | TIFF
‘Youth (Homecoming)’ Review: Wang Bing’s 10-Hour Doc Trilogy Disappoints in its Closing Workshop Saga | Venice
‘Mistress Dispeller’ Review: Provocative Doc Follows a Woman Investigating Her Husband’s Infidelity | TIFF
‘To a Land Unknown’ Review: Mahdi Fleifel’s Unforgettable Feature Debut is a Rousing Reflection on Displacement | TIFF
‘The Last Showgirl’ Review: Gia Coppola Gives Pamela Anderson the Role of a Lifetime in a Performance of Tenderness and Grace | TIFF
‘The Return’ Review: Uberto Pasolini Beautifully Reinterprets “The Odyssey” with the Reunion of Juliette Binoche and a Ripped Ralph Fiennes | TIFF
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead