Director Vicky Jewson prefaced the world premiere of her new film Pretty Lethal by describing that she was first drawn to the film via its... Read More
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Since 1991, the Frameline Completion Fund has awarded $717,500 to 203 projects centered on LGBTQ+ stories Today, Frameline, the queer media nonprofit that hosts the annual San... Read More
When coming to the SXSW Film Festival, the main attraction for pass holders and ticket buyers can be some of the grand titles that lead... Read More
The 98th Academy Awards have come and gone, and with them Paul Thomas Anderson is now a three-time Oscar winner. As someone who believes There... Read More
On episode 337 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Associate Editor Sophia Ciminello and AwardsWatch contributor Josh Parham break down... Read More
A clear theme emerged out of a few movies from this year’s SXSW film line-up: Severance. Specifically, Britt Lower and Adam Scott, who topline the... Read More
Paul Thomas Anderson’s One Battle After Another has won Best Picture at the 98th Academy Awards, with Anderson also collecting hardware for Best Director and... Read More
Mike & Nick & Nick & Alice is an increasingly rare variety of film, the kind that movie fans keep clamoring for studios to finance... Read More
On episode 143 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the latest film in their Powell and Pressburger series, I... Read More
Let’s skip to the good part. Here are my final winner predictions in all 24 categories for the 98th Academy Awards, which will take place... Read More

Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
SXSW 2026 Reviews: ‘Family Movie,’ ‘Crash Land,’ ‘Kill Me’
San Quentin Film Festival (SQFF) to Hold Event at Central California Women’s Facility
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event
‘Pretty Lethal’ Review: Vicky Jewson’s Bloody, Ballistic Ballet is Never Quite On Pointe [C] SXSW
Frameline Announces 2026 Completion Fund Grantees Ahead of 50th LGBTQ+ Festival
SXSW 2026 Reviews: ‘Ready or Not 2: Here I Come,’ ‘Over Your Dead Body,’ ‘Power Ballad’
The Awards Alchemist’s Recap of the 2026 Oscars
AwardsWatch Podcast Ep. 337 – Reactions to the 98th Academy Awards Winners
SXSW 2026 Reviews: ‘Sender,’ ‘The Saviors,’ ‘Hokum’ Highlight the Stars of ‘Severance’
98th Oscars: ‘One Battle After Another’ Wins Best Picture, Best Director for Paul Thomas Anderson
‘Mike & Nick & Nick & Alice’ Review: BenDavid Grabinski Asks ‘What if Wong Kar-Wai Made a Gangster Love Triangle Sci-Fi Action Buddy Comedy’? [A-] SXSW
Director Watch Podcast Ep. 143 – ‘I Know Where I’m Going’ (Powell and Pressburger, 1945)
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]