On episode 153 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the next film in their Christopher Nolan series, Memento (2001).... Read More
Other
Migration, formative youth experiences, and large-scale conflicts guide this batch of four independent films reaching the San Francisco International Film Festival after successful fall and... Read More
You know how there are some actors that, when you think about them, you say ‘of course, they’re an Oscar nominee. “It was for… wait,... Read More
Few contemporary directors embody their work quite like Boots Riley. Donning one of his signature tall hats and sipping on a warm coffee during our... Read More
After having just co-starred in last year’s Hamnet, Oscar winner Jessie Buckley and Oscar nominee Paul Mescal are set to reunite for Hold On To... Read More
Just a week after the Oscars revealed aggressive new rules on the use of AI for the upcoming awards season, the Golden Globes has dropped their version of... Read More
Judith Light has consistently graced the big and small screen over the past several decades. From playing Angela Bower on the Who’s The Boss? sitcom... Read More
Stop me if you’ve heard this one before. Is Sandra Hüller about to nab four acting Oscar nominations in the same year? Ok, realistically, no.... Read More
Colman Domingo will be honored with the Variety Creative Conscience Award at the 50th San Francisco International LGBTQ+ Film Festival (Frameline50), which is hosted by the arts nonprofit Frameline,... Read More
Ildikó Enyedi’s eighth feature film is already a highly acclaimed success. Silent Friend, the Hungarian filmmaker’s ode to the relationship between nature and humanity, won... Read More

‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes
‘Sheep in a Box’ Review: Koreeda’s Take on the AI-ification of Humanity Feels a Bit Soulless [C] Cannes
Fatherland Review: Sandra Hüller and Hanns Zischler are Sensational in Paweł Pawlikowski’s Transcendent Chamber Piece [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Director Watch Podcast Ep. 153 – ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Colman Domingo to Receive Variety Creative Conscience Award at 50th San Francisco International LGBTQ+ Film Festival (Frameline50)
Interview: Ildikó Enyedi on Working with Tony Leung and Léa Seydoux and Her Triptych Storytelling in ‘Silent Friend’
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes