Last week we posted the best music of 2013 according to our staff and contributors. As promised, this week we are publishing the results of... Read More
Other
12 Years a Slave ended the night of the Golden Globes as a surprise winner; a surprise because it had gone empty-handed all night despite... Read More
And now for something completely different? That old Monty Python classic was on our mind as we perused the nominations revealed today by the International... Read More
Now that’s a mouthful, isn’t it? Here are the final winner predictions of the Gold Rush Gang, or most of them, at least. Lots of... Read More
Every year AwardsWatch compiles the lists and combinations of the major precursors bagged by potential Oscar nominees and this year is no different. A total... Read More
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On this podcast, recorded Friday, January 10, 2014, Erik, Ben and Long discuss the DGA and BAFTA nominations and their predictions for the Golden... Read More
Also known as 'the stragglers'. Or 'the organizations that can't be bothered to design a logo' (we're looking at you, Iowa and Oklahoma!). But still,... Read More
12 Years a Slave, American Hustle and Captain Phillips continued their domination of the guild awards nominations with nods from the American Cinema Editors guild... Read More
Well, us. And you as well, probably. The University of Southern California chose its annual five for the USC Scripter award, honoring both the original... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
AwardsWatch’s Best Music of 2013 – Forums’ Poll Results
Golden Globes: 12 Years Prevails, Barely and American Hustle Thrives
ICS nominations: Who the hell is Anton Adasinsky?
Gold Rush Gang Golden Globe Winner Predictions
BFCA + GG + SAG + BAFTA: The Holy Quartet
2015 Oscars: Best Visual Effects Nomination Predictions
Oscar Podcast #8: January 11, 2014
Critics societies roundup 7
ACE Eddie Nominations:
USC Scripter nominations: Who Maisie Surprised
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes