When watching a film by director Jane Schoenbrun, one can’t help but dive back into their own past. As their protagonist Kris (Hannah Einbinder) explains... Read More
Other
A couple of years ago, RG made it big when his Netflix series Baby Reindeer took off and skyrocketed his career. Gadd’s return to television... Read More
Kôji Fukada has spent the past two decades quietly consolidating his place in world cinema, advancing by increments from the sidebars to the main slates... Read More
Today, queer media nonprofit Frameline announced the full lineup for the landmark 50th San Francisco International LGBTQ+ Film Festival (Frameline50) — the largest, longest-running, and most widely recognized queer... Read More
As the newly-released blockbuster The Devil Wears Prada 2 possesses the same charm as its predecessor thanks to its performances, it being about the fluctuating... Read More
Madonna has something she wants to talk about. Or, actually, show you. Directed by David Toro and Solomon Chase (TORSO), Confessions II is a 10-minute... Read More
The Cannes Film Festival begins this week and I’m getting these under the wire just before anything officially screens. Since 2019’s Parasite, the 79-year-old festival... Read More
A quick glimpse at the cast for Boots Riley’s I Love Boosters reveals a who’s who of standout performers as capable of carrying major tentpoles... Read More
Just over a year after it debuted, Netflix’s record-breaking four-part limited series Adolescence, co-created by Jack Thorne and Stephen Graham, finished its awards run on its... Read More
On episode 153 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the next film in their Christopher Nolan series, Memento (2001).... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
‘Teenage Sex and Death at Camp Miasma’ Review: I Saw the Twin Peaks Glow [A-] Cannes
Interview: Richard Gadd Talks ‘Half Man,’ Finding the Humor in Trauma, and That Hospital Scene with Jaime Bell
‘Nagi Notes’ Review: Kôji Fukada’s Gentle Examination of Intimate, Small Town Relationships Pays Off for Those with Patience [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Make It a Double Feature: ‘The Devil Wears Prada’ and ‘All About Eve’
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
2027 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (May)
Interview: Eiza González and Poppy Liu On How Fashion Helps Create Their Characters in ‘I Love Boosters’ and Why They’re Driven by Social Justice
2026 BAFTA TV Awards: ‘Adolescence’ Dominates as Owen Cooper Completes Unprecedented Run
Director Watch Podcast Ep. 153 – ‘Memento’ (Christopher Nolan, 2001)
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes