Cannes Critics’ Week selection Baby tells the heartbreaking coming-of-age story of a young man desperately in search of a father figure and systematically failed by... Read More
Other
Mumbai is alive in Payal Kapadia’s stunning second feature All We Imagine as Light. It’s a boundless shape-shifter, always moving its millions of disparate parts,... Read More
Chinese director Guan Hu’s Black Dog has taken the top prize in the section from Xavier Dolan‘s jury, which was comprised of French-Senegalese screenwriter and director Maïmouna... Read More
Stranger by the Lake writer-director Alain Guiraudie remixes his favorite themes – loneliness, longing, unrequited love, obsession, secret, crime, coverup – once again in his... Read More
For over two decades, Nabil Ayouch has been a dominant force in Moroccan cinema, crafting films that have garnered both critical acclaim and international recognition.... Read More
Parthenope is the coming-of-age story of an impossibly beautiful woman, much as in Giuseppe Tornatore’s Malèna, who turns heads everywhere she goes. Fortunately, the titular... Read More
The Festival will also feature A Conversation with Lena Waithe and presentation of the Variety Creative Conscience Award to the Emmy Award-winning and Tony-nominated writer, producer, and actor... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Irish filmmaker Lorcan Finnegan’s previous film Vivarium explored the horrors of suburban domesticity. His latest, The Surfer, which played out of competition at Cannes, is... Read More
Not every girl wants to be somebody’s princess, but anyone who does, should be given the opportunity. This is not exactly what Sean Baker wants... Read More

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2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
‘Baby’ Review: Marcelo Caetano’s Coming of Age Story is a Thoughtful Look at Predatory Power | Cannes
‘All We Imagine as Light’ Review: Mumbai Comes Alive in Payal Kapadia’s Complex ‘Little Women’-esque Portrait of Sisterhood | Cannes
‘Black Dog’ Wins 2024 Un Certain Regard Award,’ ‘The Story of Souleymane’ Takes Jury and Acting Prizes | Cannes
‘Misericordia’ Review: Alain Guiraudie’s Mines Comedy and Melodrama in Tale of Repression and Loneliness | Cannes
‘Everybody Loves Touda’ Review: Nisrine Erradi’s Nuanced Performance Elevates Nabil Ayouch’s Return to Form | Cannes
‘Parthenope’ Review: Paolo Sorrentino is Once Again Obsessed with a Great Beauty | Cannes
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Director Watch Ep. 47 – ‘The Hunger’ (Tony Scott, 1983)
‘The Surfer’ Review: Nicolas Cage is at his Unhinged Best in Goofy Tragi-Comic Folly About Toxic Masculinity | Cannes
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Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]