Irish filmmaker Lorcan Finnegan’s previous film Vivarium explored the horrors of suburban domesticity. His latest, The Surfer, which played out of competition at Cannes, is... Read More
Other
Not every girl wants to be somebody’s princess, but anyone who does, should be given the opportunity. This is not exactly what Sean Baker wants... Read More
In the aftermath of the resounding triumph of Amazon’s ‘Red, White & Royal Blue,’ Landon Johnson spoke with the film’s director and screenwriter Matthew Lopez,... Read More
We love it when a prominent auteur uses cinema to take stock of time passed and the remaining time; to cherish the love he must... Read More
Iranian-Danish director Ali Abbasi is really going against the grain of auteurism. His last three films have all premiered in Cannes competitions; in 2019 Border... Read More
Returning to the Croisette with a euphoric, rebellious bang, Cannes regular Kirill Serebrennikov (2018’s Leto, 2021’s Petrov’s Flu, 2022’s Tchaikovsky’s Wife) brings Limonov – The... Read More
Admit it. Who of us haven’t stared in the mirror or at old photos of our younger selves and longed to go back to the... Read More
Amidst the whirlwind of success surrounding Amazon’s Red, White & Royal Blue, I caught up with Nicholas Galitzine, who graciously offered insights into navigating newfound... Read More
Taylor Zakhar Perez does not take his status as a celebrity lightly. “I’m a blue collar kid in an extraordinary circumstance in Los Angeles,” much... Read More
Kevin Costner’s first major artistic undertaking since his career boom courtesy of the blockbuster TV series Yellowstone, Horizon: An American Saga, the opening chapter of... Read More

2026 Chicago Critics Film Festival Reviews: ‘Black Zombie,’ ‘The Last One for the Road,’ ‘Loafers,’ ‘You Had to Be There’
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Director Watch Podcast Ep. 152 – ‘Following’ (Christopher Nolan, 1998)
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50th San Francisco International LGBTQ+ Film Festival (Frameline50) Announces Opening Night, Centerpiece, and Pride Kickoff Films
Sweeping Oscars Changes: Academy Says No to AI, Opens International Film Eligibility, Allows Multiple Acting Nods in Same Category
2026 NewFest LGBTQ+ Pride Summer Series to Feature ‘STOP! THAT! TRAIN!,’ Outdoor ‘Heated Rivalry’ Screening and More
‘The Surfer’ Review: Nicolas Cage is at his Unhinged Best in Goofy Tragi-Comic Folly About Toxic Masculinity | Cannes
‘Anora’ Review: Sean Baker’s Joyous New York City Tale Finds Love in a Hopeless Place and a Superstar in Mikey Madison | Cannes
Interview: ‘Red, White & Royal Blue’ Director Matthew Lopez and Author Casey McQuiston on the Surrealness and Passion for the Film’s LGBTQ+ Message and Success [VIDEO]
‘The Shrouds’ Review: David Cronenberg’s Exploration of Loss Ends Up Digging Its Own Grave | Cannes
‘The Apprentice’ Review: Sebastian Stan and Jeremy Strong are the Perfect Toxic Duo in Ali Abbasi’s Story of Donald Trump’s Rise | Cannes
‘Limonov – The Ballad’ Review: Ben Whishaw is Unrestrained in Inspired Biopic of the Rebel Vagabond | Cannes
‘The Substance’ Review: Demi Moore Delivers an Utterly Fearless Performance in Coralie Fargeat’s Gnarly Examination of How We See Ourselves | Cannes
Interview: Nicholas Galitzine on Newfound Fame, Gratitude, Prince Henry and Everything ‘Red, White & Royal Blue’ [VIDEO]
Interview: Taylor Zakhar Perez on Latin Representation, the Wedding Cake and Baring All in ‘Red, White & Royal Blue’ [VIDEO]
‘Horizon: An American Saga – Chapter 1’ Review: Kevin Costner’s Meandering Western Epic is a Cowboy in Search of a Herd | Cannes
2026 Chicago Critics Film Festival Reviews: ‘Black Zombie,’ ‘The Last One for the Road,’ ‘Loafers,’ ‘You Had to Be There’
‘The Traitors’ Leads 8th Annual Critics Choice Real TV Awards Nominations