We love it when a prominent auteur uses cinema to take stock of time passed and the remaining time; to cherish the love he must... Read More
Other
Iranian-Danish director Ali Abbasi is really going against the grain of auteurism. His last three films have all premiered in Cannes competitions; in 2019 Border... Read More
Returning to the Croisette with a euphoric, rebellious bang, Cannes regular Kirill Serebrennikov (2018’s Leto, 2021’s Petrov’s Flu, 2022’s Tchaikovsky’s Wife) brings Limonov – The... Read More
Admit it. Who of us haven’t stared in the mirror or at old photos of our younger selves and longed to go back to the... Read More
Amidst the whirlwind of success surrounding Amazon’s Red, White & Royal Blue, I caught up with Nicholas Galitzine, who graciously offered insights into navigating newfound... Read More
Taylor Zakhar Perez does not take his status as a celebrity lightly. “I’m a blue collar kid in an extraordinary circumstance in Los Angeles,” much... Read More
Kevin Costner’s first major artistic undertaking since his career boom courtesy of the blockbuster TV series Yellowstone, Horizon: An American Saga, the opening chapter of... Read More
On episode 232 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch TV Editor Tyler Doster to discuss NEON’s latest film, Babes,... Read More
It is hard to put Jacques Audiard in one mold. The French director keeps tackling different genres without ever giving you a hint of what... Read More
Noémie Merlant first gained universal recognition in Celine Sciamma’s Portrait of a Lady on Fire at the 2019 Cannes Film Festival. Since then Merlant has... Read More

2027 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (May)
Interview: Eiza González and Poppy Liu On How Fashion Helps Create Their Characters in ‘I Love Boosters’ and Why They’re Driven by Social Justice
2026 BAFTA TV Awards: ‘Adolescence’ Dominates as Owen Cooper Completes Unprecedented Run
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
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Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
‘The Shrouds’ Review: David Cronenberg’s Exploration of Loss Ends Up Digging Its Own Grave | Cannes
‘The Apprentice’ Review: Sebastian Stan and Jeremy Strong are the Perfect Toxic Duo in Ali Abbasi’s Story of Donald Trump’s Rise | Cannes
‘Limonov – The Ballad’ Review: Ben Whishaw is Unrestrained in Inspired Biopic of the Rebel Vagabond | Cannes
‘The Substance’ Review: Demi Moore Delivers an Utterly Fearless Performance in Coralie Fargeat’s Gnarly Examination of How We See Ourselves | Cannes
Interview: Nicholas Galitzine on Newfound Fame, Gratitude, Prince Henry and Everything ‘Red, White & Royal Blue’ [VIDEO]
Interview: Taylor Zakhar Perez on Latin Representation, the Wedding Cake and Baring All in ‘Red, White & Royal Blue’ [VIDEO]
‘Horizon: An American Saga – Chapter 1’ Review: Kevin Costner’s Meandering Western Epic is a Cowboy in Search of a Herd | Cannes
AwardsWatch Podcast Ep. 232: Reviewing ‘Babes’ and Updated 2024 Emmy Predictions
‘Emilia Pérez’ Review: Zoe Saldaña, Selena Gomez and Karla Sofía Gascón are Sensational in Delightfully Unhinged Jacques Audiard Musical | Cannes
‘The Balconettes’ Review: Noémie Merlant Lets Loose in Topical, Genre-bending Romp | Cannes
2027 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (May)
Interview: Eiza González and Poppy Liu On How Fashion Helps Create Their Characters in ‘I Love Boosters’ and Why They’re Driven by Social Justice
2026 BAFTA TV Awards: ‘Adolescence’ Dominates as Owen Cooper Completes Unprecedented Run
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)