Early in Mortal Kombat II, the braggadocious character Johnny Cage is introduced. He’s obviously modeled after Jean-Claude Van Damme and other action stars who were... Read More
Other
With the surprising new rules set by the Academy’s Board of Governors last week, expanding the acting categories to allow an individual to earn more... Read More
LaKeith Stanfield on ‘I Love Boosters,’ Collaborating with Boots Riley, and His New Musical Endeavor
LaKeith Stanfield on ‘I Love Boosters,’ Collaborating with Boots Riley, and His New Musical Endeavor
Snacking on an assortment of charcuterie delights, LaKeith Stanfield greets me from across our meeting room’s table, sporting warm-tinted sunglasses and a pair of ripped... Read More
On episode 344 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, AwardsWatch Associate Editor Sophia Ciminello, and Pop Culture... Read More
As I mentioned in my first Oscar predictions of the season, waiting for the annual April Board of Governors meeting of the Academy proved to... Read More
NEON announced today it has acquired U.S. rights to King Snake, from Loving and Mud filmmaker Jeff Nichols. The film, starring Margaret Qualley (The Substance), Michael Shannon (Take Shelter), and Drew Starkey (Queer),... Read More
The Lost Boys and Schmigadoon! dominated the nominations for the 79th Tony Awards on Tuesday, earning 12 nods each, followed closely by the musical revival... Read More
After winning the Locarno Film Festival’s Swatch First Feature Award and the Toronto International Film Festival’s Best Canadian Discovery, Sophy Romvari’s debut feature, Blue Heron,... Read More
It’s July 2004 on the sunny Atlantic coast of Spain, in the city of Vigo, Galicia, the gateway to the Cíes Islands. Eighteen-year-old Marina (Llúcia... Read More
Elliot Tuttle knows that he’s playing with fire. His feature debut Blue Film – starring Reed Birney and Kieron Moore – was rejected from multiple... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
‘Mortal Kombat II’ Review: Our Champions Have Leveled Up for Round Two [B]
2027 Oscar Predictions: SUPPORTING ACTRESS (May)
AwardsWatch Podcast Ep. 344: New Oscar Rules and Preview of the 79th Cannes Film Festival with Special Guest Christina Birro
2027 Oscar Predictions: BEST ACTOR (May)
NEON Charms U.S. Rights to Jeff Nichols’ ‘King Snake’ with Drew Starkey, Margaret Qualley, Michael Shannon
79th Tony Nominations: ‘The Lost Boys,’ ‘Schmigadoon!’ Lead, June Squibb Makes History
Director Sophy Romvari on How Memory Met Fiction on the Path to ‘Blue Heron’ [VIDEO INTERVIEW]
‘Romería’ Review: Carla Simón’s Restrained Coming-of-Age Tale Opens Up the Doors of History and Cinema [B+] Atlanta Film Festival
‘Blue Film’ Director Elliot Tuttle and Stars Reed Birney and Kieron Moore Break Down Their Hotly Transgressive and Thought-Provoking Film
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes