The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More
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Exactly ten years after the singular sci-fi achievement that was Under the Skin, writer-director Jonathan Glazer is back in Cannes’ Main Competition with a new,... Read More
Australian director Warwick Thornton lets you know from the beginning that the Aboriginal boy (a mesmerizing Aswan Reid), who arrives at a remote monastery, is... Read More
Much like her character Daisy Jones, Riley Keough is not the muse; she’s the somebody. The Amazon television series Daisy Jones and the Six transported... Read More
Taking the reins from Steven Spielberg is no easy feat, but James Mangold proves that he’s up for the task with this adventurous fifth and... Read More
Steve McQueen is back with his first film since Small Axe, part of his extremely ambitious 5-film anthology series. His documentary feature debut Occupied City,... Read More
Has there ever been a franchise more critic-proof than The Fast and the Furious? What started as the story of undercover LAPD officer Brian O’Conner... Read More
Documentary short and narrative short filmmaker Christopher Manning (Jamie, Isha, Nowhere) will make his feature directorial debut with James Ivory: In Search of Love and Beauty,... Read More
Creativity fascinates Zachary Wigon. “I love reading books about creativity and how it functions. It’s so interesting and so mysterious.” In the eight years since... Read More
Monster marks the seventh in-competition film at Cannes for Hirokazu Kore-eda, who directed last year’s tender Korean film Broker. Back in his native Japan, Kore-eda... Read More

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2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
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