In a world of 3D animation and complicated concepts, My Father’s Dragon is a refreshingly simple and sweet coming-of-age story with gorgeous hand-drawn animation. The... Read More
Other
The opening frame of Roald Dahl’s Matilda the Musical is startling, absurd, as animation-like rays beam off of newly born children as their parents sing... Read More
There is an interesting link between space and the way people behave. Filmmaker Hong Sang-soo uses space and setting to weave a quiet narrative in... Read More
Celebrated writer and film historian Elvis Mitchell explores the history of Black representation and the cultural impact of witnessing unapologetic Blackness in a decade –... Read More
Mike Flanagan, creator of The Haunting of Hill House, Bly Manor and Midnight Mass, continues his winning streak with Netflix as his latest delivers the startling scares, atmosphere and... Read More
Each film festival season brings with it at least one title that charms with the charisma of its child actors. Carla Simón’s Alcarràs, which comes... Read More
Miami Dade College’s (MDC) renowned Miami Film Festival today unveiled the line-up for the ninth annual Miami Film Festival GEMS. Taking place at MDC’s Tower Theater, the festival will,... Read More
In Causeway, the new drama directed by Lila Neugebauer (Broadway’s The Waverly Gallery, Maid, The Last Thing He Told Me), Oscar-winning actress Jennifer Lawrence (Silver Linings Playbook)... Read More
The African American Film Critics Association (AAFCA) announced today that winners of the 14th Annual AAFCA Awards honoring outstanding achievement in film will be announced... Read More
The new Hellraiser reboot is a textbook example on how to remake or reboot a classic. Keep the same scenario as the original while putting... Read More

Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
‘My Father’s Dragon’ review: Cartoon Saloon’s cute coming-of-ager soars with a fantastic voice performance from Gaten Matarazzo [B+]
‘Roald Dahl’s Matilda the Musical’ review: A joyous, magical, fun-filled adventure [B+] | LFF
‘Walk Up’ review: Hong Sang-soo toys with physical framing and structure to find the spaces in between relationships [B+] | NYFF
Trailer: Elvis Mitchell’s ‘Is That Black Enough For You?!?’ looks at the decade that changed Black cinema and culture forever
‘The Midnight Club’ review: Mike Flanagan scores again with YA horror full of kills and thrills [A]
‘Alcarràs’ review: Carla Simón’s family drama is a neorealist classic in the making [A] | NYFF
Miami Film Festival GEMS announces lineup: ‘Glass Onion,’ ‘Women Talking,’ ‘The Whale,’ ‘The Fabelmans’ plus special honor for Raúl Castillo
Trailer: Jennifer Lawrence returns to her indie roots with PTSD drama ‘Causeway’ for Apple and A24
African American Film Critics Association (AAFCA) reveal timeline for 14th awards
‘Hellraiser’ review: A chilling franchise reinvigoration with eerie visual flair that will have you on pins and needles [B]
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’