AwardsWatch

‘Empire of Light’ review: Olivia Colman and Micheal Ward light up the screen in Sam Mendes’ latest [B+] | Telluride Review

Ryan McQuade September 4, 2022

For the last two years, people have been locked away due to the ongoing Covid-19 pandemic and other various spreader events plaguing the world. When... Read More

‘Argentina, 1985’: A great lead performance saves a flawed historical courtroom drama [B-] | Venice Film Festival

Roberto Ruggio September 4, 2022

We may try to grasp history with our hands, but it always finds a way out of our control. How can we imagine catching it,... Read More

‘Master Gardener’ review: Paul Schrader’s latest tortured soul fare is rotten to its roots [D] | Venice Review

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‘Master Gardener’ review: Paul Schrader’s latest tortured soul fare is rotten to its roots [D] | Venice Review

Adam Solomons September 4, 2022

At Barcelona Football Club’s fearsome home ground Camp Nou, the world’s largest soccer stadium, devotees disappointed by their team’s performance will start whistling and waving... Read More

2022 Creative Arts Emmys Night One: RuPaul continues reign, while ‘Adele: One Night Only’ takes home multiple awards

Tyler Doster September 3, 2022

The Creative Arts Emmys are here, with night one happening tonight, announcing winners in 45 categories across picture editing, sound mixing, production design, technical direction... Read More

2022 Emmy predictions: Can ‘Abbott Elementary’ take back the network comedy series crown?

Tyler Doster September 3, 2022

Comedy has slowly become the most competitive categories at the Primetime Emmys, with so many coming on each year that it has become difficult to... Read More

‘Women Talking’ review: Writer/director Sarah Polley returns with a harrowing and hopeful chamber piece of the power and fortitude of women [A] | Telluride Review

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‘Women Talking’ review: Writer/director Sarah Polley returns with a harrowing and hopeful chamber piece of the power and fortitude of women [A] | Telluride Review

Ryan McQuade September 3, 2022

In a small colony, in an undisclosed location in the United States, lies a community of Mennonite-like religious conservatives living in a massive imbalance of... Read More

‘Bardo’ review: Inside a grand, spectacular vision, director Alejandro G. Iñárritu makes his most personal film to date [B+] | Telluride Film Festival

Ryan McQuade September 3, 2022

When we first find Silverio Gama (Daniel Giménez Cacho), renowned Mexican journalist turn successful documentarian, he is having a wild set of dreams. From floating... Read More

‘All the Beauty and the Bloodshed’ review: Laura Poitras’ profound portrait of artist and activist Nan Goldin is one of year’s best films [A+] | Venice Film Festival

Roberto Ruggio September 3, 2022

Who is Nan Goldin? For people who are not photography enthusiasts, this name probably doesn’t sound familiar. I had personally never heard of her, so... Read More

‘Athena’ review: Romain Gavras explores a civil war at its most brutal, despairing and devastating [A-] |Venice Review

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‘Athena’ review: Romain Gavras explores a civil war at its most brutal, despairing and devastating [A-] |Venice Review

Roberto Ruggio September 2, 2022

What does it take to push a home, a city, a country into chaos? Is it an accumulation of injustice or can it just take... Read More

‘Un Couple’ review: Frederick Wiseman’s first ever ‘fictional’ film imbues Tolstoy in his strange, artful ode to a woman [B] | Venice Film Festival

Adam Solomons September 2, 2022

Un Couple has been described as legendary documentarian Frederick Wiseman’s first fictional, feature-length film. In truth it is neither. The 64-minute series of monologues performed... Read More

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