AwardsWatch

2023 Oscar Predictions: BEST DIRECTOR and BEST PICTURE (May)

Erik Anderson May 30, 2022

How long is it before something that was previously unpredictable becomes so common that it goes from trend to guarantee? That’s what’s been happening in... Read More

Interview: Billy Magnussen takes on the role of a lifetime in ‘The Survivor’ [VIDEO]

Dewey Singleton May 30, 2022

Billy Magnussen has proven himself one of our most versatile comedians in films like Into the Woods and Game Night. But he’s also a convincing... Read More

Interview: Ben Foster discusses the preparation and pressure that came with making’ The Survivor’ [VIDEO]

Dewey Singleton May 30, 2022

Ben Foster hasn’t really done many television projects, one standout being his appearance in the first episode of Freaks and Geeks, but Foster’s cinematic projects... Read More

The AwardsWatch Podcast #135: Cannes Film Festival awards, reviewing ‘Top Gun: Maverick’ and a Tom Cruise filmography face-off

Ryan McQuade May 30, 2022

On episode 135 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, as well as AwardsWatch contributor Dan Bayer, as... Read More

2022 Emmy Predictions: Supporting Actor in a Limited or Anthology Series or Movie

Tyler Doster May 30, 2022

There are only six slots in the category for Outstanding Supporting Actor in a Limited or Anthology Series or Movie and with Limited Series becoming... Read More

75th Cannes Film Festival award winners: Ruben Östlund’s ‘Triangle of Sadness’ wins Palme d’Or, ties abound

Erik Anderson May 28, 2022

The awards for the 75th Cannes Film Festival were handed out tonight at the festival’s annual closing ceremony, where Ruben Östlund’s capitalism satire Triangle of... Read More

Cannes Review: Riley Keough and Gina Gammell’s ‘War Pony’ is a well-intended but often performative look at letting Lakota people telling their stories [Grade: B-]

Savina Petkova May 28, 2022

The origin story of Riley Keough and Gina Gammell’s feature debut, War Pony, coincides with the production of another film, Andrea Arnold’s 2016 Cannes Jury... Read More

Cannes Review: Paul Mescal plays a troubled father in Charlotte Wells’ delicately stunning debut, ‘Aftersun’ [Grade A-]

Savina Petkova May 28, 2022

What can we do with our fickle memories of childhood, especially the ones painting our parents with idealistic brush strokes, as if they were something... Read More

Cannes Review: ‘Showing Up’ gets closer to Kelly Reichardt’s creative process than any of her films yet [Grade: A-]

Adam Solomons May 28, 2022

A disarmingly down-the-line film about a repressed artist trying to communicate a little better with the people around her, Kelly Reichardt’s Showing Up is a... Read More

Cannes Review: Lukas Dhont’s ‘Close’ is a delicate coming of age tale with a miraculous debut performance from Eden Dambrine [Grade: A]

Ben Rolph May 27, 2022

Lukas Dhont’s sophomore feature, Close, is a remarkably well-directed film about childhood grief in a time maybe of its greatest need. It’s a great next... Read More

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