Men will make you want to rewatch Get Out. Alex Garland’s latest is every bit as frightening and graphic as we might’ve expected (and hoped).... Read More
Other
With a star-studded cast and a sexy marketing campaign to precede it, Crimes of the Future promises an electrifying affair to be beholden, enjoyed, and... Read More
If, like me, news of a George Miller movie at Cannes piqued your appetite for another dripping hamburger in the vein of Mad Max: Fury... Read More
Like most television shows, it took Bob’s Burgers a few episodes to get cooking. Once it did, it became a huge critical hit, receiving Emmy... Read More
For her fifth feature, Austrian filmmaker Marie Kreutzer turns to the history books, and more specifically, to a female figure of the 19th century whose... Read More
Four years after Border won the top prize in Cannes’ Un Certain Regard strand, Iranian-born filmmaker Ali Abbasi sparked a lively debate with his new... Read More
When there are as many shows coming on as there are now, Emmy competition is going to be stiff. Every acting category is a race... Read More
On episode 134 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-in-Chief Erik Anderson, as well as AwardsWatch contributors Nicole Ackman, Sophia... Read More
Stranger Things’ aptitude lies in many elements; a continuously nostalgic storyline, soundtracks full of bangers, and an enigmatic cast, among others. It seems we’ve waited forever... Read More
A big part of what makes a good satire vital, is the pledge of taking things seriously. Swedish director Ruben Östlund certainly lives by this... Read More

‘The Invite’ and ‘Late Fame’ to Open 69th San Francisco International Film Festival (SFFILM): Full Lineup Announced
Pierre Salvadori’s ‘La Vénus électrique’ to Open 79th Cannes Film Festival
‘Our Hero, Balthazar’ Review: Jaeden Martell and Asa Butterfield Astonish in Oscar Boyson’s Look at Teenage Dirtbags, Baby [B+]
California Film Institute (CAFILM) Announces 2026 DocLands Documentary Film Festival Lineup
‘The Super Mario Galaxy Movie’ Review: The Iconic Platforming Plumber is Asphyxiated in an Intergalactic IP Spree [C-]
Legendary Bay Area Publicist Karen Larsen Shutters Larsen Associates but Boutique Firm to Continue
33rd New York African Film Festival (NYAFF) Lineup Announced
Netflix to Stream Eddie Murphy AFI Life Achievement Award Tribute on May 31
‘The Invite’ and ‘Late Fame’ to Open 69th San Francisco International Film Festival (SFFILM): Full Lineup Announced
Pierre Salvadori’s ‘La Vénus électrique’ to Open 79th Cannes Film Festival
Cannes Review: Alex Garland’s thriller ‘Men’ makes its point with half-baked politics [Grade: B]
Cannes Review: With ‘Crimes of the Future’, horror-master David Cronenberg entices your inhumanly appetite and gets under your skin [Grade: B]
Cannes Review: ‘Three Thousand Years of Longing’ is a gentle feast about the endurance of love in all its forms from master George Miller [Grade: B+]
‘The Bob’s Burgers Movie’ review: The Emmy-winning show is a gag a minute blast, makes a triumphant leap to film [Grade: B+]
Cannes Review: ‘Corsage’ doesn’t reinvent the genre but Vicky Krieps leads Marie Kreutzer’s Austrian period drama with fragility and forte [Grade: B+]
Cannes Review: Ali Abbasi returns to Cannes with the terrifying Persian noir ‘Holy Spider’ [Grade: B+]
2022 Emmy Predictions: Supporting Actor in a Comedy Series
The AwardsWatch Podcast #134: New music, the Best Actor Oscar race, Emmy talk, Twitter’s worst film discourses and more
‘Stranger Things’ season four review (Volume 1): Elaborate monsters, nostalgia and transformation highlight the scariest installment yet [Grade: A]
Cannes Review: In Ruben Östlund’s zany ‘Triangle of Sadness,’ yachts rock (and roll) as the allure of luxury exposes the underbelly of a classless utopia [Grade: A]
‘Our Hero, Balthazar’ Review: Jaeden Martell and Asa Butterfield Astonish in Oscar Boyson’s Look at Teenage Dirtbags, Baby [B+]
California Film Institute (CAFILM) Announces 2026 DocLands Documentary Film Festival Lineup