AwardsWatch

Sony Pictures Classics acquires ‘The Triplets of Belleville’ director Sylvain Chomet’s animated ‘The Magnificent Life of Marcel Pagnol’

Erik Anderson May 25, 2022

Sony Pictures Classics announced today they have acquired all rights in all media in North America, Latin America, Scandinavia, Middle East, Israel, India, Italy, and... Read More

Cannes Review: Agnieszka Smoczyńska’s English-language debut ‘The Silent Twins’ is a bewitching ode to female kinship [Grade: A+]

Savina Petkova May 25, 2022

Polish filmmaker Agnieszka Smoczyńska returns to Cannes four years after her Fugue premiered in Semaine de la Critique (aka Critics Week), bringing the flair from... Read More

2022 Emmy Predictions: Lead Actress in a Comedy Series

Tyler Doster May 25, 2022

Outstanding Lead Actress in a Comedy Series has become one of the most fun categories at the Emmys to predict nominees, as there are always... Read More

Interview: With ‘I Love That For You’ and ‘Fire Island,’ Matt Rogers is stepping into the spotlight [VIDEO]

Erik Anderson May 24, 2022

Matt Rogers is a star. As Las Culturistas, the bracingly funny podcast host by Rogers and bestie Bowen Yang, recently celebrating its 300th episode and... Read More

Cannes Review: Ethan Coen’s formulaic ‘Jerry Lee Lewis: Trouble In Mind’ doc plays more like a jukebox on repeat than an insightful look of one of rock ‘n roll’s most controversial icons [Grade: C-]

Cannes Review: Ethan Coen’s formulaic ‘Jerry Lee Lewis: Trouble In Mind’ doc plays more like a jukebox on repeat than an insightful look of one of rock ‘n roll’s most controversial icons [Grade: C-]

Savina Petkova May 24, 2022

Last year, Joel Cohen graced us with his mesmerizing adaptation of Shakespeare’s The Tragedy of Macbeth to world-wide acclaim. Ethan Coen, however, opted for a... Read More

2023 Oscar Predictions: BEST ACTRESS (May)

Erik Anderson May 24, 2022

Margot Robbie is hitting a Hollywood stride like few others right now. With hits like Suicide Squad and Once Upon a Time in Hollywood and... Read More

Cannes Review: Park Chan-wook’s ‘Decision to Leave’ subverts and embraces its Hitchcockian nature with Tang Wei’s pitch-perfect femme fatale [Grade: A]

Ben Rolph May 24, 2022

Park Chan-wook’s Decision to Leave plays like Alfred Hitchcock’s Vertigo, albeit with a twist. It isn’t self-referential or reflexive at all to Hitchcock’s influence unlike... Read More

2022 Emmy Predictions: Lead Actor in a Comedy Series

Erik Anderson May 24, 2022

Arguably, what could be the most competitive acting category of the Emmy season with two winning titans going up against each other for the first... Read More

Cannes Review: Alex Garland’s thriller ‘Men’ makes its point with half-baked politics [Grade: B]

Adam Solomons May 24, 2022

Men will make you want to rewatch Get Out. Alex Garland’s latest is every bit as frightening and graphic as we might’ve expected (and hoped).... Read More

Cannes Review: With ‘Crimes of the Future’, horror-master David Cronenberg entices your inhumanly appetite and gets under your skin [Grade: B]

Savina Petkova May 24, 2022

With a star-studded cast and a sexy marketing campaign to precede it, Crimes of the Future promises an electrifying affair to be beholden, enjoyed, and... Read More

In case you missed it