Benedict Cumberbatch has been the surprise runaway leader with critics’ awards this season, having amassed 16 wins including the NYFCC. His turn as the closeted... Read More
Other
The San Francisco Bay Area Film Critics Circle (SFBAFCC) have revealed their 2021 awards for film and Jane Campion’s The Power of the Dog dominated... Read More
I think most of us can agree that 2020 was a blur. So much of our lifestyles were disrupted and so many films were delayed.... Read More
If the Hollywood Foreign Press Association announced the Golden Globes in closed ceremony, and there’s no one around to see it, did it even happen?... Read More
Sian Heder’s CODA and Jane Campion’s The Power of the Dog both triumphed at the Chicago Indie Critics awards last night with Best Film wins... Read More
Ryusuke Hamaguchi’s Drive My Car has won the National Society of Film Critics’ Best Picture of 2021, completing the trifecta of wins that started with... Read More
The Hawaii Film Critics Society (HFCS) revealed their film nominations today and three films earned 10 nods: Belfast, Dune and The Power of the Dog.... Read More
The National Society of Film Critics (NSFC) announces their winners tomorrow, January 8. Awards go for Best Picture, Best Actor, Best Actress, Best Supporting Actress,... Read More
The Georgia Film Critics Association (GAFCA) nominations have been announced with Jane Campion’s The Power of the Dog and Paul Thomas Anderson’s Licorice Pizza leading the... Read More
Predictions are a funny thing. Whether you’re a pundit trying to figure out the Oscar race or a studio angling for the most, or most... Read More

FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online
Director Watch Ep. 142 ‘The Life and Death of Colonel Blimp’ (Powell and Pressburger, 1943) with Special Guest Bilge Ebiri
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FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
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29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang
FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
FINAL 2026 Oscar Predictions: BEST ACTRESS
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: COSTUME DESIGN
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Screen Actors Guild (SAG) nomination predictions: Male Actor in a Leading Role in a Motion Picture
‘The Power of the Dog’ dominates San Francisco Film Critics awards with 8 wins
Kevin Lee’s 15 Best Films of 2021
‘The Power of the Dog,’ ‘West Side Story,’ ‘Succession’ top 79th Golden Globe Awards winners
Chicago Indie Critics winners: ‘CODA,’ ‘The Power of the Dog’ named Best Film
National Society of Film Critics (NSFC) winners: ‘Drive My Car’ completes Best Picture trifecta, Penélope cruises to Best Actress victory
Hawaii Film Critics nominations: ‘Belfast,’ ‘Dune,’ ‘The Power of the Dog’ score 10 nods each
National Society of Film Critics (NSFC) predictions
Georgia Film Critics Association nominations: ‘The Power of the Dog’ and ‘Licorice Pizza’ receive top mentions
Frontrunner Friday Oscar Predictions: We Need to Talk About Bruno
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online