Made for Love is a show that seems purely satirical but the premise isn’t as far-fetched and the implications are certainly chilling. They’re also a minefield... Read More
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The 1st Set Decorators Society of America (SDSA) revealed their winners on Wednesday with Mank, Promising Young Woman, Tenet and The Prom taking home prizes.... Read More
In an era where technology has impacted almost every aspect of our lives, is it possible that these advancements could even perfect our relationships? That’s... Read More
The San Francisco International Film Festival is the longest-running film festival in the Americas SFFILM announced today additional programming for the upcoming 2021 San Francisco International Film... Read More
Every year, as we collate, organize and hypothesize who will get Oscar nominations and why we look at what precursors each performer has gotten and... Read More
Focus Features has acquired the worldwide rights to Mrs. Harris Goes to Paris out of the European Film Market this year. In partnership with the House of... Read More
“Y’all wanna hear a story about why me & this bitch here fell out?” From A24 and acclaimed writer/director Janicza Bravo, comes Zola, a stranger... Read More
Netflix has released the trailer and release date for The Mitchells vs. The Machines, set to premiere on April 30. From the creators of the... Read More
Episodes directed by Tom Kalin, Andrew Ahn, Cheryl Dunye, Anthony Caronna, Alex Smith, Yance Ford, and Ro Haber FX today announced the premiere date for Pride,... Read More
In the upcoming fourth season of the Emmy-winning The Handmaid’s Tale, June (Elisabeth Moss) strikes back against Gilead as a fierce rebel leader, but the risks... Read More

BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Interview: Cristin Milioti and Billy Magnussen of ‘Made for Love’ on finding the reality of a virtual reality [VIDEO]
‘Mank,’ ‘Tenet’ among 1st Set Decorators Society of America (SDSA) winners
‘Made for Love’ TV review: Cristin Milioti and Billy Magnussen find the perfect sync in tech-romance satire
SFFILM adds ‘Language Lessons,’ Vanessa Kirby tribute, live show by Rock M. Sakura, an Oscar chat and more to film festival
Oscars: Who got nominated with what precursors this season and who missed out
Focus Features acquires ‘Mrs. Harris Goes to Paris’ with Lesley Manville and Isabelle Huppert
‘Zola’ trailer: There’s some hoeism in this house
Trailer: ‘The Mitchells vs. The Machines’ gets connected
FX sets premiere date for six-part docuseries ‘Pride’ directed by Andrew Ahn, Cheryl Dunye and more
Trailer: Praise be, ‘The Handmaid’s Tale’ season 4 trailer is here
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale