Ariana Debose and Jo Ellen Pellman dazzle in Ryan Murphy’s on-screen adaptation of the Broadway hit The Prom, which is out today, December 11, on... Read More
Other
Never Rarely Sometimes Always deftly tells an often untold story; Autumn (Sidney Flanigan), a teenage girl in rural Pennsylvania is faced with an unintended pregnancy... Read More
Hulu’s Emmy Award-winning, hit drama series, The Handmaid’s Tale, has been renewed for a fifth season ahead of its season four premiere. In the upcoming fourth season... Read More
Time, Garrett Bradley’s intimate portrait of a family’s struggle over years of incarceration, led the Cinema Eye Honors nominations today with six, including Outstanding Feature,... Read More
The Traveling Picture Show Company and GiGi Films announced today that Paul Schneider (Lars and the Real Girl, “Tales from the Loop”), Shantel VanSanten (“The... Read More
SUPER LTD, the boutique division and incubator from NEON, announced today that they have acquired North American rights to master director Gianfranco Rosi’s Notturno, which... Read More
In Nobody, Emmy winner Bob Odenkirk (Better Call Saul, The Post, Nebraska) stars as Hutch Mansell, an underestimated and overlooked dad and husband, taking life’s indignities on the chin and... Read More
Simply on its face, the new film Wild Mountain Thyme is a light-hearted, almost fantastical take on a Hallmark romance, but there’s just something about... Read More
“My plan was to die before the money ran out” So says 60-year-old penniless Manhattan socialite Frances Price (Michelle Pfeiffer), but things didn’t go as... Read More
Rose Glass’ psychological horror thriller Saint Maud leads the 2020 British Independent Film Awards (BIFAs) with 17, as nominations were announced today. Remi Weekes’ His... Read More

Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Interview: Jo Ellen Pellman and Ariana DeBose of ‘The Prom’ [VIDEO]
Interview: ‘Never Rarely Sometimes Always’ director Eliza Hittman and star Sidney Flanigan
‘The Handmaid’s Tale’ renewed for 5th season at Hulu
‘Time’ leads 14th Cinema Eye Honors for documentaries
‘American Murderer’ adds Paul Schneider, Shantel VanSanten, Kevin Corrigan and Moises Arias
Neon’s SUPER LTD nabs North American rights to Italy Oscar submission ‘Notturno’
Red Band Trailer: Bob Odenkirk is a big old ‘Nobody’
Film Review: Emily Blunt and Jamie Dornan have a ‘Wild Mountain Thyme’ in sweet and silly romcom
Trailer: Michelle Pfeiffer looks for a way out in ‘French Exit’
‘Saint Maud,’ ‘His House’ ‘Rocks’ top British Independent Film Awards (BIFA) nominations
Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’