“It’s over. They’re all gone.” Netflix has released the final trailer for Martin Scorsese’s sprawling gangster epic The Irishman. Robert De Niro, Al Pacino and... Read More
Other
he European Film Academy and EFA Productions announce the first winners who will be honored at this year’s European Film Awards and Yorgos Lanthimos’s The... Read More
It’s sometimes easy to forget that film is an art form. And, as with any art, the enjoyment or quality of a movie is subjective. ... Read More
The internal struggles of a character are often the most difficult to portray in a visual medium. Filmmakers have to find clever and interesting ways... Read More
ADAM DRIVER AND SCARLETT JOHANSSON TO BE HONORED WITH THE OUTSTANDING PERFORMERS OF THE YEAR AWARD The Santa Barbara International Film Festival announced today that... Read More
In his AwardsWatch debut, Andrew Carden talks about the history of horror movie scream queens and their luck, and disadvantages, at the Oscars. Six years... Read More
Cinematographer Mihai Mălaimare has worked with some of Hollywood’s greatest auteurs, including Francis Ford Coppola in 2007’s Youth Without Youth, and Paul Thomas Anderson in... Read More
My apologies to those who have grown accustomed to seeing this recap on awardswatch.com. Where did we sneak off to last week? Perhaps we were... Read More
After a few weekends of disappointing returns for tentpole releases, Fox delivered a pleasant surprise in the form of an over-performing original film, Ford v Ferrari,... Read More
We can talk a lot about films being relevant or tapping into the zeitgeist, but perhaps no other film I’ve seen this year is or... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Final trailer for Martin Scorsese’s ‘The Irishman’
European Film Awards (EFA): ‘The Favourite’ is the craft fave with four wins
AFI FEST Review: ‘Ivana the Terrible’
AFI FEST Review: ‘Love Me Tender’
Adam Driver and Scarlett Johansson to receive honors at 35th Santa Barbara International Film Festival (SBIFF)
2020 Oscars: Scream Queens in Best Actress – Is Lupita Nyong’o Next?
Interview: ‘Jojo Rabbit’ cinematographer Mihai Mălaimare Jr. on visualizing satire and shooting Hitler
TV Recap: ‘Watchmen’ Season One Episode Four and Five
Box Office Estimates: ‘Ford v Ferrari’ in pole position as ‘Angels’ fall from the sky
AFI FEST Review: Alex Gibney’s ‘Citizen K’ is a warning call
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]