In a year of extremely tight races, supporting actor is proving to be quite difficult. It’s another year of co-lead performances jammed up against true... Read More
Other
As I wondered last month, Margot Robbie having two legitimate contenders to balance in this category was going to have to begin to lean one... Read More
Striptease – “However the entire thing ended up being a mess, and I can only hope I can erase the image of Burt Reynolds in... Read More
This past weekend, Disney brought some much-needed heat to the box office with the release of Frozen II, which moved up a week early from Disney’s... Read More
With a storied history dating back to the Napoleonic Wars (the Walcheren campaign of 1809), the 2nd Battalion of the Devonshire Regiment risks sending 1,600... Read More
Netflix’s The Two Popes is an AARP favorite with seven nominations while The Irishman (also Netflix) and Sony’s Once Upon a Time in Hollywood earned... Read More
Parasite moves into the top 5 for Film Editing this month as its Best Picture prospects grow. That pushes 1917 back down into the Next... Read More
Sorry to this Irishman. I keep having this feeling that The Irishman is not going to perform as well as most think it will. After... Read More
Dolemite Is My Name bounces back up into the top for Makeup & Hairstyling this month as The Irishman drops down. It’s a tough call... Read More
Quentin Tarantino’s 9th film earned 11 nominations, followed by The Irishman and Waves with 9; Booksmart, Joker, The Farewell and 1917 with 7 The Hollywood... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
2020 Oscar Nomination Predictions: SUPPORTING ACTOR (November)
2020 Oscar Nomination Predictions: SUPPORTING ACTRESS (November)
Retrospective: Worst Picture/Best Picture – Striptease and The English Patient (1996)
Box Office Preview and Predictions: ‘Knives Out’ aims for a killer post-Thanksgiving breakout
Review: ‘1917’
‘The Two Popes’ leads AARP Movies for Grownups Awards nominations
2020 Oscar Nomination Predictions: FILM EDITING and CINEMATOGRAPHY (November)
2020 Oscar Nomination Predictions: PRODUCTION DESIGN and COSTUME DESIGN (November)
2020 Oscar Nomination Predictions: MAKEUP & HAIRSTYLING and VISUAL EFFECTS (November)
‘Once Upon a Time…’ leads Hollywood Critics Association nominations
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]