In this review roundup out of the 2025 Toronto International Film Festival, three films from across the world, over three different genres, explore similar issues... Read More
Other
Night Two of the Creative Arts Emmy Awards took place tonight where SNL50: The Anniversary Special was the dominate winner with eight awards, including Outstanding... Read More
The latest whodunit from writer-director Rian Johnson, Wake Up Dead Man, starts with a confession; not one of guilt or sin, but of absolute truth.... Read More
During the end credits of Roofman, a series of news clips and interviews of people who came into contact with the notorious “Roofman” robber are... Read More
Of the many fascinating aspects of Japan as a nation and culture, one particular feature that stands out is its remarkable subculture of bizarre rental... Read More
Satire and farce make for appealing cinema because they give additional room to directors willing to exercise that creative license. Such is the case with... Read More
Sofia Coppola’s Marc by Sofia could only ever have been made by Sofia Coppola. On paper it is a straightforward proposition: a celebrated filmmaker turns... Read More
Chile’s selection to this year’s Best International Feature Oscar race, The Mysterious Gaze of the Flamingo, continues that country’s remarkable string of featuring poignant films... Read More
People probably always say that a long-lasting love can feel like an eternal flame. Whether it’s with the person you’re currently with or a fling... Read More
Night one of the 2025 Creative Arts Emmy Awards were held tonight where a handful of shows dominated and a new king was crowned. With... Read More

Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
2025 Toronto International Film Festival Reviews: ‘The Fence,’ ‘Fuze,’ ‘Good Fortune’
2025 Creative Arts Emmy Awards Night Two: ‘SNL50’ Dominates, ‘Pee-Wee as Himself’ Wins Big
‘Wake Up Dead Man’ Review: Rian Johnson’s Latest Puzzlebox Takes Benoit Blanc to Church on an Unholy Whodunit [A-] TIFF
‘Roofman’ Review: Channing Tatum Charms but Derek Cianfrance’s Eccentric True Crime Dramedy Puts Too Much Stock in the Fables of Its Subject [C+] TIFF
‘Rental Family’ Review: Brendan Fraser is a Conduit for Loneliness in Hikari’s Found in Translation [B+] TIFF
‘Sacrifice’ Review: Romain Gavras’ Environmentalism Parody Self-Immolates at the Altar of Absurdity [B-] TIFF
‘Marc by Sofia’ Review: Coppola’s Friendly Look at a Fashion Titan Leaves Some of its Seams Showing [B-] Venice
‘The Mysterious Gaze of the Flamingo’ Review: Chilean LGBTQ Western is a Haunting, Lyrical Fable About Love and Loss [A-] TIFF
‘Erupcja’ Review: Everything is Pretty Romantic in this Kinetic Charli XCX Vehicle [B+] TIFF
2025 Creative Arts Emmy Awards Night One: ‘The Studio’ Breaks Comedy Emmy Record, ‘The Penguin’ Dominates in Limited Series
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’