Hinde Boujemaa’s debut feature is an interesting exploration of women’s rights in modern-day Tunisia Making her first feature film after several shorts, Hinde Boujemaa’s NOURA’S... Read More
Other
Haifa Al Mansour’s latest is less effective than WADJDA but remains insightful and often engaging Saudi Arabia’s first-ever female filmmaker, Haifa Al Mansour is a... Read More
Steven Soderbergh’s latest is an aimless, flat tale despite a timely premise A timey, topical film isn’t necessarily a good one, especially if it doesn’t... Read More
The first night of the Creative Arts Emmy Awards went in hard for the Free Solo and Carpool Karaoke tonight with the former making a... Read More
Halina Reijn’s debut feature is an explosive and subversive tale for the #Metoo era In her feature debut, which will represent the Netherlands in this... Read More
In 2001, Lord of the Rings: The Fellowship of the Ring made its way to theaters. It was the first of a groundbreaking trilogy as... Read More
Oualid Mouaness’ debut feature is an uneven story about love in the middle of war Making his feature debut after a successful career in directing... Read More
Feras Fayyad’s new doc is a heartbreaking but hopeful story of how resilience can overcome suffering In his much-anticipated follow-up to his Oscar-nominated LAST MEN... Read More
Tom Harper’s epic film is a mixed bag of elegance and emptiness Following his well-received Wild Rose, Tom Harper goes for a more epic adventure... Read More
Kasi Lemmons’ latest is a disappointing, uninspired biopic that fails to engage and whose subject deserves better Just because a film is about one of... Read More

LaKeith Stanfield on ‘I Love Boosters,’ Collaborating with Boots Riley, and His New Musical Endeavor
AwardsWatch Podcast Ep. 344: New Oscar Rules and Preview of the 79th Cannes Film Festival with Special Guest Christina Birro
2027 Oscar Predictions: BEST ACTOR (May)
NEON Charms U.S. Rights to Jeff Nichols’ ‘King Snake’ with Drew Starkey, Margaret Qualley, Michael Shannon
79th Tony Nominations: ‘The Lost Boys,’ ‘Schmigadoon!’ Lead, June Squibb Makes History
Director Sophy Romvari on How Memory Met Fiction on the Path to ‘Blue Heron’ [VIDEO INTERVIEW]
‘Romería’ Review: Carla Simón’s Restrained Coming-of-Age Tale Opens Up the Doors of History and Cinema [B+] Atlanta Film Festival
‘Blue Film’ Director Elliot Tuttle and Stars Reed Birney and Kieron Moore Break Down Their Hotly Transgressive and Thought-Provoking Film
NEON Charms U.S. Rights to Jeff Nichols’ ‘King Snake’ with Drew Starkey, Margaret Qualley, Michael Shannon
Sweeping Oscars Changes: Academy Says No to AI, Opens International Film Eligibility, Allows Multiple Acting Nods in Same Category
Toronto Review: ‘Noura’s Dream’
Toronto Review: ‘The Perfect Candidate’ is a compelling tale of equality and politics in Saudi Arabia
Toronto Review: ‘The Laundromat’ is a washout
Creative Arts Emmy Awards go for Free Solo and Carpool Karaoke; Rachel Bloom wins 1st Emmy; RuPaul wins 4th in a row
Toronto Review: Carice van Houten is stunning in the provocative Oscar contender ‘Instinct’
Is ‘Game of Thrones’ the ‘Lord of the Rings: Return of the King’ of the 2019 Emmys?
Toronto Review: Coming-of-age during wartime love story ‘1982’ is well-intentioned but doesn’t quite gel
Toronto Review: ‘The Cave,’ a chilling but hopeful tale of female resilience
Toronto Review: ‘The Aeronauts’ is well-crafted with a winning performance by Felicity Jones
Toronto Review: Not even Cynthia Erivo’s performance can save the deeply formulaic ‘Harriet’
LaKeith Stanfield on ‘I Love Boosters,’ Collaborating with Boots Riley, and His New Musical Endeavor
AwardsWatch Podcast Ep. 344: New Oscar Rules and Preview of the 79th Cannes Film Festival with Special Guest Christina Birro
2027 Oscar Predictions: BEST ACTOR (May)