Noah Baumbach’s Marriage Story is first runner up; Bong Joon-ho’s Parasite is second runner up Taika Waititi’s “anti-hate” satire Jojo Rabbit, about a young German... Read More
Other
‘Hustlers’ delivers one of the year’s best non-franchise openings at weekend box office and the top debut from STX Entertainment While IT: Chapter Two held onto the... Read More
Hinde Boujemaa’s debut feature is an interesting exploration of women’s rights in modern-day Tunisia Making her first feature film after several shorts, Hinde Boujemaa’s NOURA’S... Read More
Haifa Al Mansour’s latest is less effective than WADJDA but remains insightful and often engaging Saudi Arabia’s first-ever female filmmaker, Haifa Al Mansour is a... Read More
Steven Soderbergh’s latest is an aimless, flat tale despite a timely premise A timey, topical film isn’t necessarily a good one, especially if it doesn’t... Read More
The first night of the Creative Arts Emmy Awards went in hard for the Free Solo and Carpool Karaoke tonight with the former making a... Read More
Halina Reijn’s debut feature is an explosive and subversive tale for the #Metoo era In her feature debut, which will represent the Netherlands in this... Read More
In 2001, Lord of the Rings: The Fellowship of the Ring made its way to theaters. It was the first of a groundbreaking trilogy as... Read More
Oualid Mouaness’ debut feature is an uneven story about love in the middle of war Making his feature debut after a successful career in directing... Read More
Feras Fayyad’s new doc is a heartbreaking but hopeful story of how resilience can overcome suffering In his much-anticipated follow-up to his Oscar-nominated LAST MEN... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Toronto: Taika Waititi’s ‘Jojo Rabbit’ is the 2019 TIFF People’s Choice winner
Box Office Estimates: ‘Hustlers’ makes it rain with $33M, ‘The Goldfinch’ goes extinct
Toronto Review: ‘Noura’s Dream’
Toronto Review: ‘The Perfect Candidate’ is a compelling tale of equality and politics in Saudi Arabia
Toronto Review: ‘The Laundromat’ is a washout
Creative Arts Emmy Awards go for Free Solo and Carpool Karaoke; Rachel Bloom wins 1st Emmy; RuPaul wins 4th in a row
Toronto Review: Carice van Houten is stunning in the provocative Oscar contender ‘Instinct’
Is ‘Game of Thrones’ the ‘Lord of the Rings: Return of the King’ of the 2019 Emmys?
Toronto Review: Coming-of-age during wartime love story ‘1982’ is well-intentioned but doesn’t quite gel
Toronto Review: ‘The Cave,’ a chilling but hopeful tale of female resilience
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes