A much more competitive category than adapted, Original Screenplay this month sees some moves up, a big fall, a ‘new’ entry and what’s starting to... Read More
Other
Discussions, arguments and confirmations have come in since last month for a few screenplays that found themselves with one foot dipped into each of the... Read More
There are monsters, and then there are monsters! Here, on this fertile, bounteous planet, the monsters take a combative stance against the earth that gave... Read More
Little did Lupita Nyong’o know, I suppose, that when she signed onto a zombie comedy called Little Monsters, the zombies would be behind the camera,... Read More
With the Creative Arts swinging big for Game of Thrones, The Marvelous Mrs. Maisel and Chernobyl, will the Primetime Emmys follow suit? In this final... Read More
Tom “I haven’t been nominated since 2000” Hanks and Brad “I’m not going to campaign” Pitt remain atop the Supporting Actor list for September because... Read More
Now that we’re past Venice, Telluride and Toronto, the acting categories are making some money moves. For some it strengthened their places but for others,... Read More
Vroom vroom, bitches. Race cars, space wars and world wars make up the bulk of the top contenders for Sound Editing and Sound Mixing this... Read More
“Better living through chemistry. It’s in our DNA.” Focus Features has released the first trailer for Dark Waters, the new film by Todd Haynes that... Read More
Former CEO of Helios & Matheson submits offer to acquire all assets including MoviePass Inc., MoviePass Films, MoviePass Ventures, and Moviefone NEW YORK, NY –... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
2020 Oscar Nomination Predictions: ORIGINAL SCREENPLAY (September)
2020 Oscar Nomination Predictions: ADAPTED SCREENPLAY (September)
LFF Review: The fascinating, abstract ‘Monos’ marvels as much as it confounds
LFF Review: Shoddy, messy ‘Little Monsters’ is a waste of Lupita Nyong’o
Emmy Podcast #31: FINAL Primetime Emmy winner predictions with Amanda Spears
2020 Oscar Nomination Predictions: SUPPORTING ACTOR (September)
2020 Oscar Nomination Predictions: SUPPORTING ACTRESS (September)
2020 Oscar Nomination Predictions: SOUND EDITING & SOUND MIXING (September)
Mark Ruffalo takes on Big Chemical in first trailer for ‘Dark Waters’
Not Dead Yet: Investors Led By Ted Farnsworth Submit Offer for MoviePass Inc.
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes