Xavier Dolan’s latest is cluttered, uneven but well-intentioned film about repressed love In his follow-up to a string of negatively received films (It Must Be... Read More
Other
“You can put that on the record!” was Anthony Carrigan’s response to me telling him what a huge fan I am of HBO’s Emmy-winning comedy... Read More
Joon-ho Bong delivers the best film of the Cannes Film Festival so far Known for his genre-twisting work, Joon-ho Bong is a director that never... Read More
The world’s foremost, largest, and longest running LGBTQ+ film festival will feature 59 US premieres, including 22 world premieres, welcome all-star guests and bestow the... Read More
Since 2010 only three networks have won Best Limited Series: FX, HBO and PBS (this includes 2011-2013 when the category was combined with TV Movie).... Read More
The 1990s saw two major renaissances for Disney, a creative one and a financial one. The Little Mermaid had come out at the end of... Read More
Quentin Tarantino’s latest is a delicious, subversive and audacious takedown of Hollywood In one of his most nuanced, poignant and entertaining films to date, Quentin... Read More
Is Gaspar Noé’s Lux Æterna a big middle finger to the Time’s Up/Me Too movement? Or is it his way of being woke to the... Read More
The King and Queen are coming to Downton, let the drama ensue. It’s 1927, just a few years after the end of the television series... Read More
The world premiere of Quentin Tarantino’s 9th film, Once Upon a Time…in Hollywood is happening at the Cannes Film Festival today and just ahead of... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Cannes Review: Xavier Dolan’s ‘Matthias and Maxime’ is an improvement over recent works but still lacks emotional urgency
Interview: ‘Barry’ actor Anthony Carrigan, TV’s nicest mobster
Cannes Review: Joon-ho Bong’s ‘Parasite’ is breathtaking and heartbreaking
Frameline43’s Full Slate Unveiled: SF Gay Men’s Chorus, Virginia Woolf, Trixie Mattel and more
2019 Emmys: The Limited Series race
Review: ‘Aladdin’ has flashes of greatness but ends up an overlong retread
Cannes Review: Tarantino’s ‘Once Upon a Time…in Hollywood’ is one of his most nuanced, poignant and entertaining films to date
Cannes Review: Gaspar Noé’s ‘Lux Æterna’ makes a mockery of its own message
‘Downton Abbey’ trailer: a royal visit, gay romance and an extra sassy Maggie Smith
Watch: New ‘Once Upon a Time…in Hollywood’ trailer ahead of Cannes premiere
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes