Jessica Hausner’s atmospheric new film is an engaging, if somewhat lacking, work Part-thriller, part-drama, Little Joe features excellent technical credits, an intriguing script but lacks... Read More
Other
Ken Loach’s latest film is a deceptively simple yet shattering and a step up from I, Daniel Blake Did you ever stop to think about... Read More
Just when you think you didn’t need another ‘last night of high school before graduation’ movie, Olivia Wilde’s Booksmart comes along and bursts through as... Read More
Starting in the early aughts, fed up with limited roles for women over 40 (nonetheless over 50), television has become a respite from Knowing Aunts... Read More
Mati Diop’s film, the first in competition feature for a black woman at Cannes, is as poetic as it is urgent Few films possess this... Read More
Director Levan Akin confronts Georgia’s (former USSR/Eastern Europe) conservative, moralising, antiquated attitude towards sexual freedom, the masculine tradition and gay love with an aggressive fervour.... Read More
Dexter Fletcher’s Elton John biopic is an entertaining if imperfect film with a fantastic performance from Taron Egerton Certain to draw comparisons to worldwide box... Read More
There’s always been something that bugged me about The Big Bang Theory. Although I have always loved the show and have watched it since the... Read More
Ladj Ly’s debut feature is a stunning, explosive film that is both fresh and arresting Debut films selected in competition at Cannes are rare –... Read More
First time feature director Annie Silverstein new film Bull, will leave you with thoughts you can’t process right away. Silverstein co-wrote the script with Johnny... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
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Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Cannes Review: Jessica Hausner’s ‘Little Joe’ is engaging, haunting and reflective
Cannes Review: ‘Sorry We Missed You’
Review: ‘Booksmart’ is one of the year’s best films
2019 Emmys: Lead Actress in a Limited Series/Television Movie
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TV Recap: ‘The Big Bang Theory’ Series Finale
Cannes Review take two: ‘Les Misérables’ is “one of the most timely and urgent films of the year”
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Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]