Some big moves this month from actors in films large and small including a previously nominated indie fave and two performances from certified box office... Read More
Other
That might not be that unique year to year but what is unique this year is amount of black directors who top tier contenders helming... Read More
First Man stays locked at #1 in Sound Editing despite faltering elsewhere this month. It feels like a category that would be impenetrable to its... Read More
I should have had The Favourite in the top 3 last month but I’ve rectified that now. There is something almost too simple in the... Read More
The Favourite overtakes First Man in Production Design for November and holds onto the #1 spot in Costume Design. These two categories often go hand... Read More
ROMA bumps First Man in Film Editing and keeps the top spot in Cinematography this month, further pushing the Netflix film on its way to... Read More
If Beale Street Could Talk and A Star Is Born remain atop the Original Score and Original Song chart for November. This month sees a... Read More
Season 2 premieres Friday, January 11, only on Hulu Season two of Hulu’s Future Man from Seth Rogen (who makes a cameo here) picks up in 2162,... Read More
SFFILM, in partnership with the Westridge Foundation, announced today the projects that will receive a total of $100,000 in funding in the latest round of SFFILM Westridge Grants. Five... Read More
Incredibles 2 holds onto the top spot in Animated Feature but the phenomenal reviews for Ralph Breaks the Internet help bump up that film to... Read More

‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
‘Tangles’ Review: Julia Louis-Dreyfus Stars in Heartbreaking Yet Beautiful Animated Film Detailing Alzheimer’s with Humor and Pathos [A] Cannes
‘Passenger’ Review: André Øvredal’s Van Life Haunted House Movie Does Exactly What You Expect and Maybe That’s All It Needs To Do [C+]
Director Watch Podcast Ep. 155 – ‘Batman Begins’ (Christopher Nolan, 2005) with Special Guest Bob Goochman
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
2019 Oscar Predictions: BEST ACTOR (November)
2019 Oscar Predictions: BEST DIRECTOR (November)
2019 Oscar Predictions: SOUND EDITING and SOUND MIXING (November)
2019 Oscar Predictions: MAKEUP & HAIRSTYLING and VISUAL EFFECTS (November)
2019 Oscar Predictions: PRODUCTION and COSTUME DESIGN (November)
2019 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (November)
2019 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG (November)
First look at season two of Hulu’s ‘Future Man’
Winners announced for Fall 2018 SFFILM Westridge Grants
2019 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, FOREIGN LANGUAGE FILM (November)
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize