Walt Disney has dropped a quick featurette entitled “Back to Cherry Tree Lane” with interviews from director Rob Marshall (Chicago) and stars Emily Blunt (A... Read More
Other
Joe Walker is a two-time Oscar-nominated film editor who is responsible for cutting some of the best action and sci-fi films of this decade. Before... Read More
Woody and Buzz, Jessie, Slinky Dog, Mr. and Mrs. Potato Head, Rex, Hamm and the rest of the toys are back for an all-new adventure... Read More
No cliché is left unturned in this paint by numbers biopic that means well but ultimately loses its case Justice Ruth Bader Ginsburg, 85, fell... Read More
The nominations for the 31st European Film Award have been announced an Pawel Pawlikowski’s Cold War leads the field with five mentions including Best Film,... Read More
It’s only been a week but we’ve already seen a tidal wave midterm election, the beginning of AFI Fest (where I’ll be for the first... Read More
‘Shirkers,’ ‘Bisbee ’17,’ ‘Hale County’ also score big The Cinema Eye Honors, which “celebrates outstanding artistry and craft in nonfiction film,” has revealed its nominees in... Read More
A near-record 166 documentary feature films have officially been submitted for the 91st Academy Awards. Last year saw 170 submissions. 2018 has been a blockbuster... Read More
Divide & Conquer: The Story of Roger Ailes sheds light on the current moment in American political life by following the arc of Roger Ailes:... Read More
The long-awaited Mowgli film from actor/director Andy Serkis (War for the Planet of the Apes, Breathe) is arriving with a new title, a new release... Read More

‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
‘Fjord’ Review: Cristian Mungiu Takes On Religious and Progressive Extremism in Exceptional Family Drama [A] Cannes
‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
“Back to Cherry Tree Lane” Featurette: The Music and Magic of Disney’s ‘Mary Poppins Returns’
Interview: Joe Walker, Oscar-nominated film editor of ‘Widows’
‘Toy Story 4’ teaser reveals new character, Forky
Review: ‘On the Basis of Sex’ never rises above its basic biopic nature (★★)
‘Cold War,’ ‘Happy as Lazzaro,’ ‘Border’ top European Film Awards Nominations
Frontrunner Friday: Date change for ‘Beale Street,’ ‘A Star Is Born’ drops songs and Viggo Mortensen…well
‘Minding the Gap’ tops Cinema Eye Honors nominations
2019 Oscars: 166 Documentary Features Submitted for Academy Award Consideration
Trailer for Alexis Bloom’s ‘Divide & Conquer: The Story of Roger Ailes’
Netflix and Andy Serkis bring ‘Mowgli: Legend of the Jungle’ tale to life in new trailer
‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
‘Fjord’ Review: Cristian Mungiu Takes On Religious and Progressive Extremism in Exceptional Family Drama [A] Cannes
‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes