Award-winning actress Eva Melander is widely recognized as one of the most talented of her generation of Swedish actors, having proven herself to be equally... Read More
Other
Ali Abbasi creates the grimmest of faerie tales as two outcasts find love in a hopeless place in this wild, wonderful, surprisingly emotional drama. Tina... Read More
“Don’t ever take off your blindfold.” Academy Award winner Sandra Bullock (The Blind Side) stars in first trailer for the dystopian thriller Bird Box, from... Read More
Oscar®-winning producer Donna Gigliotti will produce the 91st Oscars®, and Emmy®-winning director Glenn Weiss will co-produce and direct the show, Academy President John Bailey announced... Read More
Our weekly Foreign Language Film Oscar race analysis pieces are back! For the next eight weeks, we will be taking a close look at this... Read More
Everything in this month’s top 10 moves except, interestingly, the #1 and the #10 films. As with Best Director, ROMA is still on top after... Read More
The top 5 in Best Director this month stays the same with a bit of movement with that group. In fact, the top 10 is... Read More
Best Actress continues to the year’s most stacked and competitive categories and that’s a good thing. It also means that some major names, including previous... Read More
Bradley Cooper (A Star Is Born) maintains his #1 status and right now still looks like the one to beat in Best Actor. I think... Read More
If Beale Street Could Talk, Madeline’s Madeline, Eighth Grade, Support the Girls, Hereditary among other top nomination getters The nominations for the 2018 Gotham Independent... Read More

‘Passenger’ Review: André Øvredal’s Van Life Haunted House Movie Does Exactly What You Expect and Maybe That’s All It Needs To Do [C+]
Director Watch Podcast Ep. 155 – ‘Batman Begins’ (Christopher Nolan, 2005) with Special Guest Bob Goochman
‘Hope’ Review: Na Hong-jin’s First Act Monster Mash is Overlong Schlockbuster Core [C-] Cannes
‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
‘All of a Sudden’ Review: Virginie Efira and Tao Okamoto are Luminous in Ryusuke Hamaguchi’s Life-Affirming Wonder [A] Cannes
Cannes 2026: ‘La Gradiva’ Wins Top Critics Week Prize
Interview: Jen Malone on Crafting the Heartbreaking Soundtrack of ‘Love Story,’ and the Power of Music
‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Interview: Eva Melander, star of Cannes winner and Swedish Oscar submission ‘Border’
Review: The thrilling trollmance ‘Border’ (★★★★)
Sandra Bullock must fight an unseen fear in ‘Bird Box’ trailer
Donna Gigliotti to produce 91st Academy Awards; Glenn Weiss to co-produce and direct
2019 Oscars: A Look at Latin American Films in This Year’s Foreign Language Oscar Race
2019 Oscar Predictions: BEST PICTURE (October)
2019 Oscar Predictions: BEST DIRECTOR (October)
2019 Oscar Predictions: BEST ACTRESS (October)
2019 Oscar Predictions: BEST ACTOR (October)
‘First Reformed,’ ‘The Favourite’ top 2018 Gotham Nominations
‘Passenger’ Review: André Øvredal’s Van Life Haunted House Movie Does Exactly What You Expect and Maybe That’s All It Needs To Do [C+]
Director Watch Podcast Ep. 155 – ‘Batman Begins’ (Christopher Nolan, 2005) with Special Guest Bob Goochman
‘Hope’ Review: Na Hong-jin’s First Act Monster Mash is Overlong Schlockbuster Core [C-] Cannes
‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes