On episode 137 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the first film in their Chantal Akerman series, Je Tu... Read More
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Marty Supreme has won Best Picture from the Midnight Critics Circle (MCC) with star Timothée Chalamet also taking the Best Actor prize. It Was Just... Read More
Probably the most exciting part of low-budget horror filmmaking is that the films tend to latch themselves onto one singular gimmick and take it to... Read More
Over the past twenty years, Ethan Hawke has become nearly as much a part of the Sundance culture as Robert Redford himself. From the Before... Read More
The phrase “a love letter to…” has become such a cliché that it is almost meaningless nowadays, and yet, there is no more apt description... Read More
Some comedies are largely accessible, with great performances and a compelling story that not only keeps the laughs going but makes us come back to... Read More
Jay Duplass’s latest feature, See You When I See You, feels light-years removed from the shaggy, conversational looseness that once defined Mumblecore. Where Duplass’s early... Read More
Andrew Stanton’s career at Pixar once unfolded with the clean inevitability of a well-told parable. He directed A Bug’s Life, Finding Nemo, and WALL•E—films that... Read More
The nominations for the 76th Writers Guild of America (WGA) awards have been revealed in feature film, television, radio and news categories. For film, original... Read More
As one of a select few genres to have sustained its theatrical audience post-pandemic, horror has become a major staple of the contemporary moviegoing culture.... Read More

César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater First American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
A Guide to the 2026 Oscar-Nominated Animated Short Films
‘DTF St. Louis’ Review: Jason Bateman and David Harbour Star in Sex and Death Mystery That’s Mostly Flaccid [D]
Visual Effects Society (VES) Awards: ‘Avatar: Fire and Ash,’ ‘KPop Demon Hunters’ Dominate Wins
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Predictions: More ‘One Battle’ vs ‘Sinners’ Provide the Final Showdowns Before Oscar
‘Mint’ Review: Ambition Outpaces Impact in ‘Snapper’ Director Charlotte Regan’s Stylish BBC Crime Drama Series [C+] Berlinale
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’ (1/30/26)
Director Watch Podcast Ep. 137 – ‘Je Tu Il Elle’ (Chantal Akerman, 1974)
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture
‘Undertone’ Review: This Pod Means Death in Ian Tuason’s Paranormal Aural Creeper [B+] | Sundance
‘The Weight’ Review: Ethan Hawke is Ever-Reliable in Tension-Free, Depression Era Actioner [B-] | Sundance
‘The Only Living Pickpocket in New York’ Review: John Turturro is Wonderful as a Timeless Anti-Hero with a 1970s Vibe [A-] | Sundance
‘Gail Daughtry and the Celebrity Sex Pass’ Review: We’re Not in Kansas Anymore, Jon Hamm [C+] | Sundance
‘See You When I See You’ Review: Jay Duplass’s Overly Careful Tale of Family Grief Remains at Arm’s Length [C+] | Sundance
‘In the Blink of an Eye’ Review: Andrew Stanton’s Feature Film Return is an Epic, Triptych Timeline Stunner [A] | Sundance
Writers Guild of America (WGA) Nominations: ‘Black Bag,’ Weapons,’ ‘The Chair Company’ and More
Oh the Horror! How the Oscars are Finally Embracing the Spooky
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater First American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Animated Short Films