The first 10 minutes of episode one of season two of the Emmy-winning series are among the most harrowing I’ve ever seen on television. As... Read More
Other
Award-winning actors, filmmakers and musicians will join jury president for the 71st Cannes Film Festival, among them Ava DuVernay, Kristen Stewart and Denis Villeneuve. They... Read More
[divider style=”normal” top=”20″ bottom=”20″] As you can see, not a lot of change this month with the top 4 remaining so and in the same... Read More
Christian Bale (Untitled Dick Cheney biopic) holds onto the #1 spot, a phrase I feel like I will repeat quite often this year. Despite just... Read More
[divider style=”normal” top=”20″ bottom=”20″] The 50th edition of the Cannes Directors’ Fortnight will open with Cristina Gallego and Ciro Guerra’s Birds of Passage. This is... Read More
Cultural appropriation, sex and gender norms, racist bots, black lesbians, conspiracy theories, black Scientology and The Sunken Place are front and center in the first... Read More
[divider style=”normal” top=”20″ bottom=”20″] As was with Best Picture, Best Director sees a change-up from last month with Widows‘ Steve McQueen taking the pole position... Read More
[divider style=”normal” top=”20″ bottom=”20″] Widows from Oscar winner Steve McQueen (12 Years a Slave) is the new top pick for Best Picture for April as... Read More
[divider style=”normal” top=”20″ bottom=”20″] The 57th Cannes Critics’ Week was announced today and Paul Dano’s directorial debut, Wildlife, starring Carey Mulligan and Jake Gyllenhaal will... Read More
The 2018 San Francisco International Film Festival (April 4-17) announced the winners of the juried Golden Gate Award (GGA) competitions and the two Audience Awards (for Documentary... Read More

FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
Review: The Handmaid’s Tale (Season 2)
2018 Cannes: Ava DuVernay, Kristen Stewart, Denis Villeneuve Among the Jury of the 71st Cannes Film Festival
2019 Oscar Predictions: BEST ACTRESS (April) – Viola Davis Still Tops; Glenn Close is Coming
2019 Oscar Predictions: BEST ACTOR (April) – Bale’s VP is VIP
2018 Cannes: Directors’ Fortnight brings ‘Birds of Passage,’ Debra Granik’s ‘Leave No Trace’
‘Dear White People’ Season Two Teaser and Release Date
2019 Oscar Predictions: BEST DIRECTOR (April) – McQueen is King
2019 Oscar Predictions: BEST PICTURE (April) – Widows is new #1
2018 Cannes Critics’ Week: Paul Dano’s Directorial Debut; Competition Films 57% Female-Directed
SFFILM Awards: ‘Eighth Grade’ Wins Audience Award, New Directors Prize Goes to Ana Urushadze
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’