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Cannes Review: Alice Rohrwacher’s ‘Lazzaro Felice’ is one of the fest’s best
[divider style=”normal” top=”20″ bottom=”20″] The first hour of Alice Rohrwacher’s third feature Lazzaro Felice (Happy as Lazzaro) are as languidly paced as a film could be.... Read More
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Cannes Review: ‘Girl,’ the deeply humane debut from Lukas Dhont
[divider style=”normal” top=”20″ bottom=”20″] Lara is 15 going on 16 trans girl with dreams of being a professional ballerina in Lukas Dhont’s touching and humane... Read More
Cannes Review: Gaya Jiji’s glacially paced tale of sexual repression ‘My Favorite Fabric’
[divider style=”normal” top=”20″ bottom=”20″] Gaya Jiji’s directorial debut MY FAVORITE FABRIC is an undercooked, lacking melodrama that takes points for being one of the rare... Read More
Cannes Review: Zhao Tao is a Best Actress Contender in ‘Ash is Purest White’ from Jia Zhang-ke
One of the most commercial and straightforward films of his career, Jia Zhang-ke’s ASH IS PUREST WHITE is accessible but not superficial, entertaining but never... Read More
Cannes Review: ‘Border,’ Ali Abbasi’s thrilling supernatural gothic romance
[divider style=”normal” top=”20″ bottom=”20″] Ali Abbasi creates the grimmest of faerie tales as two outcasts find love in a hopeless place in this wild, wonderful,... Read More
Cannes Review: Mads Mikkelsen burns up the screen in icy ‘Arctic’
Survival films can go either way: they can be engaging viewing experiences that expand their scope beyond their basic premise or can be slogs that... Read More
Cannes Review: Pawel Pawlikowski’s bleak and beautiful ‘Cold War’
Pawel Pawlikowski’s COLD WAR is one of those films that you can respect but not outright love. Beautifully made but far more slight and bleaker... Read More
Cannes Interview: Wanuri Kahiu on her film Rafiki and the future of African cinema
[divider style=”normal” top=”20″ bottom=”20″] Rafiki director Wanuri Kahiu comes from a line of strong, forward-thinking women. Her mother, a doctor, was one of the first... Read More
Ryan Coogler Talk Highlights Importance of Visibility and the Business of Filmmaking
[divider style=”normal” top=”20″ bottom=”20″] Ryan Coogler is the king. Of box office, that is. When his adaptation of the Marvel’s Black Panther comic book series... Read More
Annapurna sets Spring 2019 release for LAIKA’s ‘Missing Link’
LAIKA, the animation studio behind the Academy Award® nominated Kubo and the Two Strings, The Boxtrolls, ParaNorman, and Coraline, announces its fifth and most ambitious... Read More
‘Blue Film’ Director Elliot Tuttle and Stars Reed Birney and Kieron Moore Break Down Their Hotly Transgressive and Thought-Provoking Film 
‘Blue Heron’ Review: Sophy Romvari Immortalizes a Memory in a Profound Act of Courage [A-] (SFFILM) 
AwardsWatch Podcast Ep. 343: Reviewing ‘The Devil Wears Prada 2’ 
2027 Oscar Predictions: INTERNATIONAL FEATURE FILM (May)