[divider style=”normal” top=”20″ bottom=”20″] The fracturing of an American family in 1960 is at the center of Wildlife (based on the novel by Richard Ford),... Read More
Other
Kirill Serebrennikov’s LETO is a tribute to music, dreams of youth and the power – and beauty of ambition. Despite a masterful and at times... Read More
[divider style=”normal” top=”20″ bottom=”20″] Rarely do debut features play in competition at Cannes. In fact, of the debut features that played in the festival’s most... Read More
[divider style=”normal” top=”20″ bottom=”20″] Kena, short for Makena (played by Samantha Mugatsia) lives in the Slopes district of Nairobi, Kenya with her at-home mom and... Read More
In his follow-up to the Oscar-nominated EMBRACE OF THE SERPENT, Colombian director Ciro Guerra teams up with director Cristina Gallego to deliver a remarkable feature about... Read More
[divider style=”normal” top=”20″ bottom=”20″] Everybody Knows opens in an aging bell and clock tower of a quiet Spanish town. There are names of teenage paramours... Read More
The 2018 Cannes Film Festival is this week and this page will be your updated Cannes at a Glance featuring links to reviews from myself... Read More
In this very first AwardsWatch Cannes Podcast, I am joined by Aaron Locke, who will be attending the festival for the first time. This will... Read More
Out Web Fest is the world’s only digital festival dedicated to celebrating web series, short films and music videos by and for the global queer... Read More
Kimmy Schmidt is back ready to take on the Big Apple (it’s a fruit that’s bigger than people). In this first look, Kimmy (Ellie Kemper)... Read More

‘Blue Film’ Director Elliot Tuttle and Stars Reed Birney and Kieron Moore Break Down Their Hotly Transgressive and Thought-Provoking Film
‘Blue Heron’ Review: Sophy Romvari Immortalizes a Memory in a Profound Act of Courage [A-] (SFFILM)
AwardsWatch Podcast Ep. 343: Reviewing ‘The Devil Wears Prada 2’
2027 Oscar Predictions: INTERNATIONAL FEATURE FILM (May)
2026 Chicago Critics Film Festival Reviews: ‘Black Zombie,’ ‘The Last One for the Road,’ ‘Loafers,’ ‘You Had to Be There’
Sweeping Oscars Changes: Academy Says No to AI, Opens International Film Eligibility, Allows Multiple Acting Nods in Same Category
2026 NewFest LGBTQ+ Pride Summer Series to Feature ‘STOP! THAT! TRAIN!,’ Outdoor ‘Heated Rivalry’ Screening and More
‘The Traitors’ Leads 8th Annual Critics Choice Real TV Awards Nominations
Sweeping Oscars Changes: Academy Says No to AI, Opens International Film Eligibility, Allows Multiple Acting Nods in Same Category
2026 NewFest LGBTQ+ Pride Summer Series to Feature ‘STOP! THAT! TRAIN!,’ Outdoor ‘Heated Rivalry’ Screening and More
Cannes Review: Paul Dano’s assured directorial debut ‘Wildlife’ starring Carey Mulligan and Jake Gyllenhaal
Cannes Review: Kirill Serebrennikov’s arthouse crowdpleaser ‘Leto’
Cannes Review: A.B. Shawky’s gripping and emotional debut ‘Yomeddine’
Cannes Review: Wanuri Kahiu’s touching if familiar lesbian romance ‘Rafiki’
Cannes Review: Ciro Guerra and Cristina Gallego’s immersive and unforgettable ‘Birds of Passage’
Cannes Review: Asghar Farhadi’s ‘Everybody Knows’ is too safe and too slow to engage
2018 Cannes at a Glance
Cannes Podcast #1: Festival preview with guest Aaron Locke
Out Web Fest 2018: May 18-20 featuring Imagine Dragons’ Dan Reynolds doc ‘Believer’
‘Unbreakable Kimmy Schmidt’ season 4 returns with release date and 90’s inspired trailer
‘Blue Film’ Director Elliot Tuttle and Stars Reed Birney and Kieron Moore Break Down Their Hotly Transgressive and Thought-Provoking Film
‘Blue Heron’ Review: Sophy Romvari Immortalizes a Memory in a Profound Act of Courage [A-] (SFFILM)
AwardsWatch Podcast Ep. 343: Reviewing ‘The Devil Wears Prada 2’
2027 Oscar Predictions: INTERNATIONAL FEATURE FILM (May)