AwardsWatch - 2019 cannes

Cannes Review: Ira Sachs’ ‘Frankie’ is pretty, vacant

Mina Takla May 21, 2019

Ira Sachs’ latest is a hollow yet picturesque film on a decaying star In his follow-up to Little Men, Ira Sachs delivers a picturesque but... Read More

Cannes Review: Asif Kapadia’s ‘Diego Maradona’ scores as an engrossing doc on the price of fame

Mina Takla May 20, 2019

Asif Kapadia’s new documentary is an engrossing portrayal of a football legend One of the most interesting documentary filmmakers working today, Asif Kapadia has built... Read More

Cannes Review: ‘The Lighthouse’ Willem Dafoe and Robert Pattinson go toe to toe in Robert Eggers’ impeccably crafted new film

Mina Takla May 19, 2019

Robert Eggers follows up The Witch by crafting The Lighthouse, a sublimely nightmarish tale about madness and solitude Few thrillers will draw you in and... Read More

Cannes Review: Terrence Malick’s ‘A Hidden Life’ is a film for the ages

Mina Takla May 19, 2019

Terrence Malick’s latest is a magnetic, contemplative and epic film that asks big, timely questions coupled with fantastic technical credits and performances A return to... Read More

Cannes Review: ‘Pain and Glory’ is Pedro Almodóvar’s magnum opus

Mina Takla May 18, 2019

Pedro Almodóvar’s latest film is a masterpiece that balances the personal with the relatable How do you make a film about yourself? Perhaps the better... Read More

Cannes Review: Jessica Hausner’s ‘Little Joe’ is engaging, haunting and reflective

Mina Takla May 18, 2019

Jessica Hausner’s atmospheric new film is an engaging, if somewhat lacking, work Part-thriller, part-drama, Little Joe features excellent technical credits, an intriguing script but lacks... Read More

Cannes Review: ‘Sorry We Missed You’

Mina Takla May 17, 2019

Ken Loach’s latest film is a deceptively simple yet shattering and a step up from I, Daniel Blake Did you ever stop to think about... Read More

Cannes Review: ‘Atlantics’ (Atlantique) is beautiful, painful and poetic

Mina Takla May 17, 2019

Mati Diop’s film, the first in competition feature for a black woman at Cannes, is as poetic as it is urgent Few films possess this... Read More

Cannes Review: ‘And Then We Danced’ is a brave, urgent and revolutionary statement

Jack King May 17, 2019

Director Levan Akin confronts Georgia’s (former USSR/Eastern Europe) conservative, moralising, antiquated attitude towards sexual freedom, the masculine tradition and gay love with an aggressive fervour.... Read More

Cannes Review: ‘Rocketman’

Mina Takla May 17, 2019

Dexter Fletcher’s Elton John biopic is an entertaining if imperfect film with a fantastic performance from Taron Egerton Certain to draw comparisons to worldwide box... Read More

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