Last year, I kicked off my Oscar predictions just after Cannes, after Ruben Östlund won his second Palme d’Or and took that win all the... Read More
cannes film festival
Over the last few years, a strong ascension of Moroccan cinema started taking shape on an international scale, with the effective participation of major fresh... Read More
The 62nd Semaine de la Critique (Critics’ Week) section of the Cannes Film Festival has revealed its winners in seven categories with Amanda Nell Eu’s... Read More
With an explosion of pastel colours, precise camera moves and a whimsical script, Asteroid City is Wes Anderson operating at his best, still doing his... Read More
King Henry VIII’s last wife steps into the forefront in Firebrand, Karim Aïnouz’s English-language debut. Alicia Vikander stars as the quietly rebellious Catherine Parr, Queen... Read More
A title as poetic as Fallen Leaves entirely suits the fourth installment of Finnish filmmaker Aki Kaurismäki’s working-class series, which began with Shadows in Paradise,... Read More
Ahead of its world premiere in competition at the Cannes Film Festival this week, Focus Features has dropped three first look clips of Asteroid City,... Read More
If asked to describe How to Have Sex in one word, the answer, however strange, comes easily in the form of a place: an airport.... Read More
In 2015, Todd Haynes came to Cannes to premiere Carol that received rave reviews and an instant cult classic treatment. He came back to the... Read More
The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More

2024 Oscar Predictions: BEST DIRECTOR and BEST PICTURE (May)
‘Kadib Abyad (The Mother of All Lies)’ review: Asmae El Moudir stunningly recreates a buried Moroccan past | Cannes
2023 Cannes Film Festival: Amanda Nell Eu’s ‘Tiger Stripes’ tops Semaine de la Critique (Critics’ Week) winners
‘Asteroid City’ review: Wes Anderson’s homage to Steven Spielberg is among his most meta and most melancholic | Cannes
‘Firebrand’ review: Karim Aïnouz doesn’t give much room for Alicia Vikander’s rebellious queen and Jude Law’s corpulent king to subvert expectation | Cannes
‘Fallen Leaves’ review: Love wins in Aki Kaurismäki’s tender tragicomedy of the working class that finds him at his romantic best | Cannes
Focus Features drops first look clips of ‘Asteroid City’ ahead of its Cannes Film Festival debut
‘How to Have Sex’ review: Molly Manning Walker’s sensational, high-energy debut an equally urgent cautionary tale of consent | Cannes
‘May December’ review: Natalie Portman and Julianne Moore make a meal out of Todd Haynes’ delicious story of infamy and obsession | Cannes
‘The Sweet East’ review: Talia Ryder is exceptional in this satirically nihilistic look at American anarchy | Cannes
Pierre Salvadori’s ‘La Vénus électrique’ to Open 79th Cannes Film Festival
‘Our Hero, Balthazar’ Review: Jaeden Martell and Asa Butterfield Astonish in Oscar Boyson’s Look at Teenage Dirtbags, Baby [B+]
California Film Institute (CAFILM) Announces 2026 DocLands Documentary Film Festival Lineup
‘The Super Mario Galaxy Movie’ Review: The Iconic Platforming Plumber is Asphyxiated in an Intergalactic IP Spree [C-]