In 2015, Todd Haynes came to Cannes to premiere Carol that received rave reviews and an instant cult classic treatment. He came back to the... Read More
cannes film festival
The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More
Exactly ten years after the singular sci-fi achievement that was Under the Skin, writer-director Jonathan Glazer is back in Cannes’ Main Competition with a new,... Read More
Australian director Warwick Thornton lets you know from the beginning that the Aboriginal boy (a mesmerizing Aswan Reid), who arrives at a remote monastery, is... Read More
Taking the reins from Steven Spielberg is no easy feat, but James Mangold proves that he’s up for the task with this adventurous fifth and... Read More
Steve McQueen is back with his first film since Small Axe, part of his extremely ambitious 5-film anthology series. His documentary feature debut Occupied City,... Read More
Monster marks the seventh in-competition film at Cannes for Hirokazu Kore-eda, who directed last year’s tender Korean film Broker. Back in his native Japan, Kore-eda... Read More
“There are many, so many, hungry wolves. Can you find the wolves in this picture?” Today Apple Original Films released the first teaser trailer for... Read More
NEON announced today that they have acquired the North American rights to Robot Dreams, the first animated feature film from Spanish filmmaker Pablo Berger (Blancanieves),... Read More
Hot on the heels of April’s release of The Covenant starring Jake Gyllenhaal and recently wrapping filming on The Ministry of Ungentlemanly Warfare starring Henry Cavill and Eiza González,... Read More

‘May December’ review: Natalie Portman and Julianne Moore make a meal out of Todd Haynes’ delicious story of infamy and obsession | Cannes
‘The Sweet East’ review: Talia Ryder is exceptional in this satirically nihilistic look at American anarchy | Cannes
‘The Zone of Interest’ review: Jonathan Glazer’s Auschwitz-set drama is monumental in its representation of the seen and unseen horror of the Holocaust | Cannes
‘The New Boy’ review: Cate Blanchett and Aswan Reid stun in Warwick Thornton’s spiritually dense Aboriginal fable | Cannes
‘Indiana Jones and the Dial of Destiny’ review: Harrison Ford says farewell in this nostalgic, thrilling final chapter | Cannes
‘Occupied City’ review: Steve McQueen’s documentary feature debut is an ambitious, if overlong, account of occupied Amsterdam | Cannes
‘Monster’ review: Hirokazu Kore-eda’s return to Japan is a nuanced morality tale | Cannes
The teaser trailer for Martin Scorsese’s epic western crime saga ‘Killers of the Flower Moon’ is here
NEON picks up animated ‘Robot Dreams’ from Pablo Berger ahead of Cannes premiere
Guy Ritchie reteams with Henry Cavill and Jake Gyllenhaal for new action film setting sale at Cannes with Eiza González
‘Teenage Sex and Death at Camp Miasma’ Review: I Saw the Twin Peaks Glow [A-] Cannes
Interview: Richard Gadd Talks ‘Half Man,’ Finding the Humor in Trauma, and That Hospital Scene with Jaime Bell
‘Nagi Notes’ Review: Kôji Fukada’s Gentle Examination of Intimate, Small Town Relationships Pays Off for Those with Patience [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More