‘The Pot Au Feu’ review: Trần Anh Hùng offers a feast for the eyes but is missing a key ingredient | Cannes
Have you ever cried when you tasted something for the first time? In The Pot Au Feu, the most mouth-watering edition to this year’s Cannes... Read More
cannes film festival
‘Banel & Adama’ review: An imperfect yet visually stunning directorial debut from Ramata-Toulaye SY | Cannes
From northern Senegal and director Ramata-Toulaye SY comes one of the most visually stunning films out of the Cannes lineup this year: Banel & Adama.... Read More
2024 Oscar Predictions: BEST DIRECTOR and BEST PICTURE (May)
Last year, I kicked off my Oscar predictions just after Cannes, after Ruben Östlund won his second Palme d’Or and took that win all the... Read More
‘Kadib Abyad (The Mother of All Lies)’ review: Asmae El Moudir stunningly recreates a buried Moroccan past | Cannes
Over the last few years, a strong ascension of Moroccan cinema started taking shape on an international scale, with the effective participation of major fresh... Read More
2023 Cannes Film Festival: Amanda Nell Eu’s ‘Tiger Stripes’ tops Semaine de la Critique (Critics’ Week) winners
The 62nd Semaine de la Critique (Critics’ Week) section of the Cannes Film Festival has revealed its winners in seven categories with Amanda Nell Eu’s... Read More
‘Asteroid City’ review: Wes Anderson’s homage to Steven Spielberg is among his most meta and most melancholic | Cannes
With an explosion of pastel colours, precise camera moves and a whimsical script, Asteroid City is Wes Anderson operating at his best, still doing his... Read More
‘Firebrand’ review: Karim Aïnouz doesn’t give much room for Alicia Vikander’s rebellious queen and Jude Law’s corpulent king to subvert expectation | Cannes
King Henry VIII’s last wife steps into the forefront in Firebrand, Karim Aïnouz’s English-language debut. Alicia Vikander stars as the quietly rebellious Catherine Parr, Queen... Read More
‘Fallen Leaves’ review: Love wins in Aki Kaurismäki’s tender tragicomedy of the working class that finds him at his romantic best | Cannes
A title as poetic as Fallen Leaves entirely suits the fourth installment of Finnish filmmaker Aki Kaurismäki’s working-class series, which began with Shadows in Paradise,... Read More
Focus Features drops first look clips of ‘Asteroid City’ ahead of its Cannes Film Festival debut
Ahead of its world premiere in competition at the Cannes Film Festival this week, Focus Features has dropped three first look clips of Asteroid City,... Read More
‘How to Have Sex’ review: Molly Manning Walker’s sensational, high-energy debut an equally urgent cautionary tale of consent | Cannes
If asked to describe How to Have Sex in one word, the answer, however strange, comes easily in the form of a place: an airport.... Read More
‘Teenage Sex and Death at Camp Miasma’ Review: I Saw the Twin Peaks Glow [A-] Cannes 
Interview: Richard Gadd Talks ‘Half Man,’ Finding the Humor in Trauma, and That Hospital Scene with Jaime Bell 
‘Nagi Notes’ Review: Kôji Fukada’s Gentle Examination of Intimate, Small Town Relationships Pays Off for Those with Patience [A-] Cannes 
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More